by Sonia Singh ‧ RELEASE DATE: Jan. 2, 2007
The supernatural element is neither scary nor believable enough.
In the latest from Singh (Goddess for Hire, 2004, etc.), a young woman with psychic abilities joins forces with an earnest paranormal investigator and a sexy telepath to bust ghosts.
After losing her ho-hum computer programming job, Bay Area cutie Anjali Kumar is recruited by reformed stockbroker Scott Wilder to work for him at “The Cold Spot,” a sort of supernatural detective agency where clients go to rid their homes of unwelcome spirits. Long denying her “gift” due to the supreme disproval of her traditional Indian immigrant parents, Anjali is initially hesitant, but she warms to Scott’s enthusiasm and the idea of finally being able to find a positive outlet for her skills. Lacking supersensory talents of his own, Scott also enlists the criminally handsome Coulter Marshall to the team. A Tennessee-born drifter with the ability to move objects with his mind, Coulter discovers he can move people as well when an angry—and armed—lesbian catches him with her girlfriend. Unlike Anjali, Coulter could care less about using his power for good—he just needs a place to crash and finds an easy mark when the independently wealthy Scott takes him in. Together, the fledgling firm builds a reputation for “cleansing” haunted locations of their unhappy apparitions, while Anjali finds herself caught up in both Coulter’s flirtations and her preppy boss’s more subtle adoration. The trio gets their biggest case when they are approached by the government to clear an unused military complex of an evil “entity” that is responsible for at least one death. To complicate matters, they must share this mission with a rival team, headed by Scott’s aggressive onetime paramour, Dr. Vivica Bates, who brings the mentally unstable empath Hans Morden to the party.
The supernatural element is neither scary nor believable enough.Pub Date: Jan. 2, 2007
ISBN: 0-06-089022-3
Page Count: 288
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2006
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by Sonia Singh
by Stephen King ‧ RELEASE DATE: May 22, 2018
Not his best, but a spooky pleasure for King’s boundless legion of fans.
Horrormeister King (End of Watch, 2016, etc.) serves up a juicy tale that plays at the forefront of our current phobias, setting a police procedural among the creepiest depths of the supernatural.
If you’re a little squeamish about worms, you’re really not going to like them after accompanying King through his latest bit of mayhem. Early on, Ralph Anderson, a detective in the leafy Midwestern burg of Flint City, is forced to take on the unpleasant task of busting Terry Maitland, a popular teacher and Little League coach and solid citizen, after evidence links him to the most unpleasant violation and then murder of a young boy: “His throat was just gone,” says the man who found the body. “Nothing there but a red hole. His bluejeans and underpants were pulled down to his ankles, and I saw something….” Maitland protests his innocence, even as DNA points the way toward an open-and-shut case, all the way up to the point where he leaves the stage—and it doesn’t help Anderson’s world-weariness when the evil doesn’t stop once Terry’s in the ground. Natch, there’s a malevolent presence abroad, one that, after taking a few hundred pages to ferret out, will remind readers of King’s early novel It. Snakes, guns, metempsychosis, gangbangers, possessed cops, side tours to jerkwater Texas towns, all figure in King’s concoction, a bloodily Dantean denunciation of pedophilia. King skillfully works in references to current events (Black Lives Matter) and long-standing memes (getting plowed into by a runaway car), and he’s at his best, as always, when he’s painting a portrait worthy of Brueghel of the ordinary gone awry: “June Gibson happened to be the woman who had made the lasagna Arlene Peterson dumped over her head before suffering her heart attack.” Indeed, but overturned lasagna pales in messiness compared to when the evil entity’s head caves in “as if it had been made of papier-mâché rather than bone.” And then there are those worms. Yuck.
Not his best, but a spooky pleasure for King’s boundless legion of fans.Pub Date: May 22, 2018
ISBN: 978-1-5011-8098-9
Page Count: 576
Publisher: Scribner
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Dean Koontz ‧ RELEASE DATE: April 1, 2020
The worst fear raised by this odd creature feature is that it will spawn a sequel.
When he and his widowed mother are threatened by a freakish killer, a brilliant 11-year-old boy on the autism spectrum teams with an orphaned dog with human intelligence to fight off evil.
The boy, Woody, hasn't spoken a word in his life but has created a sophisticated virtual world to escape to and can hack the most complex dark web networks. He's determined to avenge his researcher father, who died in a suspicious helicopter crash. The dog, Kipp, orphaned by the death of his aged, loving caretaker, is part of an underground canine network boasting many other similarly advanced, genetically engineered dogs. (These dogs, who call themselves the Mysterium, are capable of such miracles as retrieving books from the library and reading them at night.) Out of the blue, a man who once worked with Woody's father and briefly dated Megan, Woody's mother, propositions and then threatens her. "I am becoming the king of beasts," he boasts, after having bitten a young woman to death. There is certainly no lack of raw action in the book, Koontz's first following five novels featuring investigator Jane Hawk. It just takes a certain kind of reader to...swallow the plot. Depending on one's susceptibility to heart-tugging boy-and-dog tales, the novel will either be dismissed as a work of cloying commercial calculation or enjoyed as a crafty blend of genres.
The worst fear raised by this odd creature feature is that it will spawn a sequel.Pub Date: April 1, 2020
ISBN: 978-1542019507
Page Count: 380
Publisher: Thomas & Mercer
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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