by Sonia Taitz ‧ RELEASE DATE: Oct. 16, 2012
An affecting, brisk read, especially noteworthy for its essential optimism and accomplished turns of phrase.
An invigorating memoir about coming of age as the daughter of Lithuanian Jewish immigrants and Holocaust survivors.
Taitz’s (In the King's Arms, 2011, etc.) childhood was punctuated by stories of her parents’ and grandmother’s loss as well as their faith during their time in the ghetto and Dachau. Here, the author explores her early awareness of standing out as a child; the transition from desiring assimilation to appreciating her Yiddish heritage; personal relationships; a vow to her father; travel to Israel; the differences between life on the West and East coasts; the search for meaningful work after she realized a Yale law degree did not align with her artistic impulses; study at Oxford; marriage, divorce and remarriage; and the deaths of her parents, Simon and Gita. Motifs of time, filial love, the preservation of memories and the biblical story of Queen Esther weave throughout these chapters, which also stand alone as essays that capture the spirit of the postwar decades. Taitz evokes popular culture, from the silver screen to commercial jingles, and intersperses lighter moments with deeper considerations of suffering. Though the author focuses mostly on her experiences, it is Simon and Gita’s perseverance that truly shines—the former a respected watchmaker who began life anew more than once, the latter a concert-level pianist whose dreams were thwarted by war and who rescued her own mother from the Nazis' infamous selections. Taitz portrays her parents with tenderness while acknowledging their imperfections.
An affecting, brisk read, especially noteworthy for its essential optimism and accomplished turns of phrase.Pub Date: Oct. 16, 2012
ISBN: 978-0-9755618-8-1
Page Count: 256
Publisher: McWitty Press
Review Posted Online: July 29, 2012
Kirkus Reviews Issue: Aug. 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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