At times trite and a tad portentous, the writing nonetheless reveals two sincere souls.

HIS OLDEST FRIEND

THE STORY OF AN UNLIKELY BOND

A Latino teenager and an old woman wrestle with angels and demons during a four-year friendship at the nursing home where she lives and he works.

There is poignancy and pain in this account by Kleinfield, a prize-winning reporter for the New York Times who observed firsthand a friendship he calls unlikely. The woman, nonagenarian Margaret Oliver, was a dressmaker and opera fan before she arrived at the Jewish Home and Hospital for the Aged. The young man, Elvis Checo, was a hip-hop fan from the Dominican Republic who’d found a job helping out at the home: pushing wheelchairs, talking with residents. Kleinfield obtained their permission to follow them around—in and out of the facility—and so this simple story emerged. There are no real high, lows, climaxes or conundrums. (Margaret does not die; Elvis does not subsequently go off to study geriatric medicine at Harvard.) Instead, the volume has the feel of a photo album with accompanying captions. We see Margaret in her room sharing jokes with Elvis and giving him gentle advice (have a plan in life, look out for number one). The two discuss Republicans (both hate the GOP) and rap music; Elvis tries to explain to her what a cell phone is. We also venture out into the mean streets with Elvis. He fathers a daughter with a woman he does not love (Margaret advises him to keep his distance from the mother); he visits his brother’s barber shop; he tries college; he hangs out with friends; he watches many cartoons; he writes dreadful rap lyrics, one of which he performs for Margaret, who asks: “You thought all that up yourself?” He battles a bad back, lassitude, stereotype.

At times trite and a tad portentous, the writing nonetheless reveals two sincere souls.

Pub Date: Sept. 7, 2005

ISBN: 0-8050-7580-1

Page Count: 288

Publisher: Times/Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2005

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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