Heady musical and philosophical stuff.
A welcome peek into the mind of the great jazz musician.
Reese, author of Blue Notes: Jazz, Literature and Loneliness, delves into the tenor saxophonist’s substantial archives in the New York Public Library, unearthing these fascinating notebooks. Divided into four chronological sections covering nearly 50 years, they capture how Rollins’ thinking about a wide range of subjects evolved. With entries starting in 1959, after two incarcerations, kicking his heroin addiction, and the beginning of his years-long practice sessions on the Williamsburg Bridge, these slight, diary-like bits and pieces reveal an incredibly curious and philosophical musician—“What I am is jazz phrasing”—with a strong work ethic. He’s very concerned with physical and breathing exercises, his health, practicing fingering and other technical aspects involved in playing the sax, his “proclivity for impatience,” his belief that “jazz is a free planet where everything is happiness and love,” and a passion for lists. “I must try to desist from lusting after women,” he adds. All of these ideas are in service of making him a better person and musician. Rollins sees himself in harmony with the music, and the sax “can achieve any color within the orchestra.” The entries seem well thought out, as if he hoped they would eventually be read by others, especially music students. He occasionally brings up social matters: “‘Race’ is synonymous to color! I am of the gold race.” On jazz’s “essence,” creative improvisation, he writes, “This then is man in his finest hour—portraying nature.” Rollins is devoted to yoga and avoids eating bitter candy, which affects his breathing. He consistently praises his instrument—“It is yesterday, today, and tomorrow all in one form—the almighty saxophone”—and he bemoans the “wasteful exploitation of energy resources.” The last entry, from 2010: “No matter how you feel, get up, dress up, and show up.”
Heady musical and philosophical stuff.Pub Date: March 12, 2024
ISBN: 9781681378268
Page Count: 172
Publisher: New York Review Books
Review Posted Online: Dec. 26, 2023
Kirkus Reviews Issue: Feb. 1, 2024
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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BOOK REVIEW
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