A warmhearted tale of intergenerational connection.

MADAME BADOBEDAH

Is the newest resident of the Mermaid Hotel “an ancient supervillain on the run”?

Mabel, the young narrator, is an adventurer who likes to go barefoot, pockets full of small packets of marmalade and butter for snacks. When an imperious old woman, hair “red and crunchy, like a candy apple without the stickiness,” arrives with a great deal of baggage, two dogs, two cats, and a tortoise who skitters “along the floor like a man on a mission,” Mabel dubs her “Madame Badobedah (rhymes with ooooh la la).” Mabel is certain that the new occupant of Room 32 is a fugitive criminal, perhaps “an international jewel thief.” Mabel peeks in through the keyhole. But, invited in for tea, Mabel tells Madame Badobedah about the pirate Anne Bonny, and the two imagine a wild escapade on the high seas. Mabel learns that Madame Badobedah had been a ballerina and had “crossed the sea on a big ship, because there was a war.” Dahl’s voice for Mabel is young and amusingly opinionated. O’Hara’s watercolor illustrations have a retro feel, with lighthearted views of the seaside hotel, Mabel and Madame—and some mermaids. All the characters are white. The appeal of Mabel’s fanciful take on the older woman’s past grows along with their friendship, transforming the poignancy and losses of old age into something sweetly adventuresome and glamorous.

A warmhearted tale of intergenerational connection. (Picture book. 4-9)

Pub Date: April 14, 2020

ISBN: 978-1-5362-1022-4

Page Count: 56

Publisher: Walker US/Candlewick

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Inspiration, shrink wrapped.

WHAT THE ROAD SAID

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 8, 2021

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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