As in her two earlier Agatha Christie pastiches (Closed Casket, 2016, etc.), Hannah is content to supply boundless ingenuity...
Hercule Poirot gets pulled into a mystery in the most awkward possible way when someone signing himself Hercule Poirot writes four letters accusing four different people of the same murder.
Not only did she not kill Barnabas Pandy, a furious Sylvia Rule assures the famous detective; she’s never even heard of him. Neither has John McCrodden, who assumes that his father, Rowland, whose fierce advocacy of the death penalty has won him the sobriquet “Rowland Rope,” conspired with Poirot to accuse his long-estranged son of murdering Pandy. Annabel Treadway has certainly heard of Pandy—he was her grandfather, after all—but she tearfully claims that she didn’t kill him either, though at least she’s willing to listen to Poirot’s own protestations of innocence. So is ebullient Turville School housemaster Hugo Dockerill, who passes the accusation off as a joke despite his own connection to Pandy, whose great-grandson, Timothy, Annabel’s nephew, is a pupil of his. With all due respect to the obvious questions he shares with his “friend and occasional helper,” Scotland Yard Inspector Edward Catchpool—which, if any, of these suspects actually killed Pandy? Why would anyone trouble to drown a 94-year-old slate magnate, no matter how wealthy has was, in his bathtub? Who wrote the letters?—Poirot is fascinated by a more puzzling question: Why would anyone want to write those four letters in the first place? A series of variously edgy conversations, a proffer of alibis, and another sudden death will intervene before Poirot, skillfully exploiting his trademark fondness for neat patterns, is able to make good on his uncharacteristically rash promise to reveal all in a roundup of the unusual suspects only a week later.
As in her two earlier Agatha Christie pastiches (Closed Casket, 2016, etc.), Hannah is content to supply boundless ingenuity in place of more 1930s detail, this time adding a divinely inspired denouement that seems to go on for longer than the week that leads up to it.Pub Date: Aug. 28, 2018
ISBN: 978-0-06-279234-1
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...
Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.
Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.Pub Date: July 28, 2015
ISBN: 978-0-312-58321-7
Page Count: 272
Publisher: Minotaur
Review Posted Online: April 21, 2015
Kirkus Reviews Issue: May 15, 2015
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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