The author lands verbal jabs that deftly complement the often ruthless action he describes.

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In the Cheap Seats

BOXING ESSAYS

A collection of essays explores the “sweet science” of boxing and its unique culture.

Capturing the “poetry” of one of the most brutal of sports might seem like an oxymoron. But Toledo’s (The Gods of War, 2014) book is a largely successful attempt to do just that for boxing, his collection of essays a testament to both the primeval power and the pugilistic purity of the “sweet science.” “The iconic figure of the boxer speaks to anyone who struggles; which is to say he speaks to all of us,” Toledo writes. “Prone, he tells us we’re not alone. Rising, whether in victory or just to beat the count, he tells us we can too.” The author provides vivid accounts of fights featuring everyone from legendary champions such as Roy Jones, Manny Pacquiao, and Floyd Mayweather to lesser-known boxers like “Hammerin’ Hank” Lundy, Gennady “Triple G” Golovkin, and “the American Nightmare.” Toledo is as adept with technical analysis—the master boxer “uses pizazz punctuated by jabs to con his opponent into a pace and rhythm designed to sap his spirit”—as he is with physical description. One out-of-shape fighter’s torso “had the consistency of a week-old party balloon,” Ukrainian heavyweight champion Wladimir Klitschko has “the face of Kiev or Peski between shellings,” and a welterweight is “short and wide like an image in a funhouse mirror.” The author also sees the metaphorical possibilities of boxing, comparing the violent history of New York City to the “visceral” style of Jack Dempsey. “The city’s aggression is innate....In NYC, everyone is Dempsey,” he writes. In changing the narrative of a fight, an aging Mexican boxer “suggested that we can change our own narratives—our own ultimately dismal expectations—as we contend half blind against mauling life and marching time.” In these well-written, sharply observed essays, the author may sometimes go a bit overboard in his ruminations, suggesting at one point that “the boxer is a proxy preparing the way for all of us.” But with his passion and precision, Toledo becomes a worthy successor to such vaunted boxing writers as A.J. Liebling and Bert Sugar.

The author lands verbal jabs that deftly complement the often ruthless action he describes.

Pub Date: Feb. 29, 2016

ISBN: 978-0-9543924-6-8

Page Count: 230

Publisher: Tora Book Publishing

Review Posted Online: June 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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