An acknowledged historical landmark whose insufferable hero retains all his power to annoy.
The most polarizing detective from the golden age, or maybe ever, returns in this reprint of his debut appearance.
As both the first chapter and the introduction by Ragnar Jónasson make clear, Philo Vance is a languid Oxford-educated dilettante with an interest in art, philosophy, and contempt. So it’s only natural that Manhattan District Attorney John F.-X. Markham would indulge his friend’s desire to traipse along to the apartment of financial broker and man about town Alvin H. Benson, who’s been shot through the head as he sat reading in an easy chair (no rationale is given for the DA’s own need to be on the scene). Vance, accompanied by Van Dine, his legal adviser, agent, and virtually mute amanuensis, solves the crime, as it turns out, within five minutes. Instead of enlightening Markham or the Homicide Bureau’s Sgt. Ernest Heath, though, he stands idly by for nearly a week, bestirring himself only to scoff at Markham’s plans to arrest first Muriel St. Clair, who shared Benson’s last dinner, then her fiance, Capt. Philip Leacock, then Benson’s old friend Leander Pfyfe. When the action lags, Vance weighs in with opinions about classical music or the inferiority of Japanese to Chinese art or apothegms like “the only crimes that are ever solved are those planned by stupid people.” Vance pooh-poohs so many of the suspects that the identification of the last man standing will come as a surprise only to Markham. This first of his dozen cases was an instant bestseller in 1926, presumably because your great-grandparents were able to find real ingenuity in Vance’s scorn of material evidence in favor of high school psychology.
An acknowledged historical landmark whose insufferable hero retains all his power to annoy.Pub Date: Aug. 2, 2022
ISBN: 978-1-61316-331-3
Page Count: 288
Publisher: American Mystery Classics
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
It's hard to read but hard to look away from.
When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.
On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.
It's hard to read but hard to look away from.Pub Date: Aug. 8, 2023
ISBN: 9781982179007
Page Count: 384
Publisher: Atria
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
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