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RULES OF ENGAGEMENT

A slow-burn romantic suspense story eventually finds its footing.

Two spies are forced to work together despite their mutual mistrust in the latest pseudonymous novel from Stacey Abrams.

Dr. Raleigh Foster is a brilliant chemist who was recruited to work as an operative for the International Security Agency when she was only 20. The mysterious agency is a joint effort of more than 75 countries, undertaking top-secret missions to ensure peace and security around the globe. Adam Grayson and his best friend, Phillip Turman, were recruited to work for the ISA after graduating from Harvard Law School. The three worked together on a mission that went disastrously wrong three years earlier. Phillip died in action, and Adam blamed Raleigh for his death. Adam quit working with the ISA and returned to running his wealthy family's network of companies, while Raleigh continued to work as a highly decorated agent. Now, Raleigh is given the job of recruiting Adam to go undercover and stop a terrorist organization from converting one of his company's inventions into a chemical weapon. On the mission, Adam and Raleigh must pose as lovers, which makes it hard for them to ignore the sizzling attraction between them. As they spend more time undercover, they find a series of puzzling clues indicating that there's a mole inside the ISA. Adam is convinced that Raleigh’s friend and mentor is the mole, while she suspects that Phillip might have faked his own death. The beginning of the novel is overburdened with exposition, but once Raleigh and Adam go undercover on the fictional Mediterranean island of Jafir, the plot picks up speed. The novel deftly explores loyalty and the perils of trusting in “the rules of engagement” in a world of intrigue and secrets.

A slow-burn romantic suspense story eventually finds its footing.

Pub Date: Sept. 6, 2022

ISBN: 978-0-593-43939-5

Page Count: 336

Publisher: Berkley

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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