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WHILE JUSTICE SLEEPS

More of a curiosity for political junkies than a satisfying story of international intrigue.

Awards & Accolades

Likes

  • Readers Vote
  • 23


  • New York Times Bestseller


  • IndieBound Bestseller

A progressive superstar pens her first political thriller.

Anyone who follows the news knows Abrams as a politician and voting rights activist. She's less well known as a novelist. Using the pseudonym Selena Montgomery, Abrams has published several works of romantic suspense. Her new novel begins when Supreme Court Justice Howard Wynn falls into a coma. His clerk Avery Keene is shocked to discover that her boss has made her his legal guardian and granted her power of attorney. The fate of one of the most powerful men in the world is in her hands—and her life is in danger. Abrams gives us nefarious doings in the world of biotech, a president with autocratic tendencies and questionable ethics, and a young woman struggling to unravel a conspiracy while staying one step ahead of the people who want her out of the way. Unfortunately, the author doesn't weave these intriguing elements into an enjoyable whole. Abrams makes some odd word choices, such as this: “The intricate knot she had twisted into her hair that morning bobbed cunningly as she neared her office.” The adverb cunningly is mystifying, and Abrams uses it in a similar way later on. There are disorienting shifts in point of view. And Abrams lavishes a great deal of attention on details that simply don’t matter, which makes the pace painfully slow. This is a fatal flaw in a suspense novel, but it may not be the most frustrating aspect of this book. For a protagonist who has gotten where she is by being smart, Avery makes some stunningly poor decisions. For example, the fact that she has a photographic memory is an important plot point and is clearly a factor in Justice Wynn’s decision to enlist her help. When she finds a piece of paper upon which is printed a long string of characters and the words "BURN UPON REVIEW," Avery memorizes the lines of numbers and letters—and then, even though she knows she’s being surveilled, she snaps a shot of the paper with her phone, thereby making the whole business of setting it on fire quite pointless.

More of a curiosity for political junkies than a satisfying story of international intrigue.

Pub Date: May 11, 2021

ISBN: 978-0-385-54657-7

Page Count: 384

Publisher: Doubleday

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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