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DRA---

Kafkaesque first novel, the 39th entry in Sun & Moon's experimental New American Fiction series, from the author of My Horse (stories, not reviewed). One might almost say that Levine is slavishly Kafkaesque, down to her use of the tired device of incompletely spelling her protagonist's name: ``Dra—.'' Nonetheless, she takes on an important theme, focusing on the modern American obsession with jobs and careers. Poor Dra— is a confused young woman, shy, indecisive, and paranoid. As the story begins, she's out of money and powerless, and proceeds to a nameless employment agency with the vague feeling that only a job can give her an identity. At first, Dra— is afraid even to enter the agency because of her irrational fear of a man who works there. Once inside, she must endure a mockingly upbeat lecture on the virtues of holding a job, as well as a sort of group support session for those who have not ``succeeded.'' Finally, she's offered a choice: a job at a ``remote encampment'' researching and classifying dust, and one ``monitoring and maintaining a small water pump.'' Dra—, who seems always near mental collapse, can't choose between these equally meaningless alternatives. Even her employment counselor allows that ``jobs are tedious and death-making,'' and thus it may be that Dra— is one of the saner inmates of this mad world. As she cringes and hesitates, postponing the inevitable, she eavesdrops on the conversations of working people, all of whom have adapted to that world, and seem truly and completely insane. Work is madness, Levine suggests, and anyone who has not had a ``career'' but has suffered instead through a succession of mind-numbingly banal jobs, is likely to agree. Levine's variations on Kafka wear thin, but her satire of work is clever, unsettling, and timely.

Pub Date: Oct. 19, 1997

ISBN: 1-55713-288-7

Page Count: -

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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