A sturdy portrait of Samuel Adams for our times.
The Pulitzer Prize–winning author recounts Samuel Adams’ instrumental role in triggering the events that would lead to the American Revolution.
Though he is typically overshadowed by such towering contemporaries as Washington, Jefferson, and Adams’ second cousin, John Adams, Samuel’s behind-the-scenes machinations were a crucial factor in setting in motion the wheels of revolution. In her latest, Schiff enthusiastically digs through much of the limited material available on her subject. In a calculated move, Samuel destroyed countless documents and most of his personal correspondence, leaving little for future biographers to unearth. “He operated by stealth, melting into committees and crowd actions, pseudonyms and smoky back rooms,” writes Schiff. “ ‘There ought to be a memorial to Samuel Adams in the CIA,’ quips a modern historian, dubbing him America’s first covert agent. We are left to read him in the twisted arm, the borrowed set of talking points, the indignation of America’s enemies. We know more about him from his apoplectic adversaries than from his friends, sworn to secrecy.” Schiff exhaustively dissects whatever was written about him by his contemporaries, and she also explores the numerous politically charged essays that he submitted under pseudonyms to newspapers such as the Boston Gazette, many of which openly criticized British colonial policy. Schiff provides a penetrating analysis of Samuel’s tactics and motivations, and in tracing his story from his unassuming and somewhat aimless roots as a failed businessman to his role as a highly influential American statesman, she reveals how his grounded idealism was present from the outset and remained consistent throughout his life. This is a meticulously researched and often eloquent work of historical biography, but it’s an occasionally dry cerebral exercise, lacking some of the author’s typical storytelling verve. Still, Schiff offers a welcome, fresh study featuring notions of liberty and democracy that feel particularly relevant in today’s consistently tumultuous political landscape.
A sturdy portrait of Samuel Adams for our times.Pub Date: Oct. 25, 2022
ISBN: 978-0-316-44111-7
Page Count: 440
Publisher: Little, Brown
Review Posted Online: July 29, 2022
Kirkus Reviews Issue: Sept. 1, 2022
SEEN & HEARD
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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