As history, The Witches is intelligent and reliable; as a story, it’s a trudge over very well-trod ground.

THE WITCHES

SALEM, 1692

The Pulitzer Prize–winning biographer provides an account of a foundational American tragedy of mass hysteria and injustice.

At its best, the latest work from Schiff (Cleopatra: A Life, 2010, etc.) ably weaves together all the assorted facts and many personalities from the 1692 Salem witch trials and provides genuine insight into a 17th-century culture that was barely a few steps away from the Dark Ages. Religious belief and superstition passed for reality, science had no foothold whatsoever, and both common folk and their educated ministers could believe that local women rode broomsticks, turned into cats, and had the power to be in two places at once. Furthermore, it was a world in which an accusation was as good as a conviction, where seemingly possessed girls flailed and contorted themselves in court, while judges bore down upon helpless defendants with loaded questions. The accused, under the spell of their own culture, could likewise turn on themselves—and not just to save their skin. “Confession came naturally to a people who believed it the route to salvation, who submitted spiritual biographies when they entered into church membership, who did not entirely differentiate sin from crime,” writes the author. “By the craggy logic of the day, if you had been named, you must have been named for a reason. Little soul-searching was required to locate a kernel of guilt.” While Schiff has marshaled the facts in neat sequential order, the book lacks either a sense of relevance or compelling narrative drive. The author writes in a sharp-eyed yet conversational tone, but she doesn't have anything new to say or at least nothing that would come as a revelation to even general readers, until the final pages. This is the type of book that yearns from the beginning for a fresh approach or a new angle.

As history, The Witches is intelligent and reliable; as a story, it’s a trudge over very well-trod ground.

Pub Date: Oct. 27, 2015

ISBN: 978-0-316-20060-8

Page Count: 512

Publisher: Little, Brown

Review Posted Online: Aug. 3, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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