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SWIMMING NAKED

A standard belated-coming-of-ager, but nicely worked out and genuinely affecting—even if too long and sometimes plodding.

Cincinnati columnist Sims debuts with the ordeal of a young woman who returns to her childhood home to put her family ghosts to rest.

Thirty-year-old Lucy Greene still has a lot of unfinished business when it comes to her family. A photography curator at a midwestern museum, she is too busy with her own life—finishing her master’s thesis, planning exhibitions, etc.—to find much time to ruminate on the past. But when she is called down to Florida to nurse her 58-year-old mother, Fay, through the last stages of lung cancer, Lucy finds that she has to make her reckonings pretty fast. Apart from the obvious shock of her mother’s disease, there is the inexplicable behavior of Lucy’s older sister Anna, who had been alerted to her mother’s condition months earlier (when treatment might still have made a difference) but did absolutely nothing. Always flighty as a child, Anna has grown up to become a full-fledged drunk (now going though rehab for the umpteenth time), but Lucy is not in the forgiving mood and considers her a selfish egomaniac. The greatest shock of all, though, comes when Fay tells Lucy that she is still in touch with their Frank, who disappeared when Lucy was six. A printer’s mechanic, Frank was struck by lightning at the Greenes’ lakeside summerhouse in Canada and became a kind of hapless lunatic as a result. Now Lucy learns that he’s been living in Florida with her aunt Martha ever since. So it seems like a tradeoff, of sorts: Lucy goes to Florida to lose her mother, but she finds her father in the process.

A standard belated-coming-of-ager, but nicely worked out and genuinely affecting—even if too long and sometimes plodding.

Pub Date: March 29, 2004

ISBN: 0-670-03290-5

Page Count: 256

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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