Next book

YOU LOOK NICE TODAY

While its ending is foreordained (and a bit pat), the story succeeds marvelously in its seasoned appreciation of the many...

Wry account of a sexual harassment lawsuit that’s really a captivating, suspenseful love letter to American middle management, from Fortune columnist Bing, who (as CBS executive Gil Schwartz) has lived it.

Beautiful, pleasant, a bit sexy, and amazingly competent CaroleAnne Winter isn’t all she seems. An office temp hired at Global Fiduciary Trust, an international investment firm based in Chicago, CaroleAnne performs so well that she’s immediately hired as personal assistant to Robert Harbert, the blandly inspiring, comfortably married Executive Vice President in charge of Total Quality. As Human Resources Vice President Fred Tell looks on, Harb comes to adore his new secretary. He pulls every string he can to give her raises, help her escape her abusive marriage, find a better apartment. He even gives her his old sedan so he can buy himself a new BMW. In return, CaroleAnne becomes his trusted lieutenant, setting up meetings, taking notes, even walking barefoot on his spine when his back goes out—though the relationship is perfectly chaste. Still, there’s something odd about CaroleAnne: she has “prayer sessions” with another employee, and she keeps a secret notebook. Then, when a change in the economic climate causes cutbacks in Harb’s department, leaving her (and her boss) with little to do, CaroleAnne suddenly hands in her resignation. Unfortunately, she’s been such a good employee, no one wants to fire her. After refusing reassignment, she complains that she’s been subject to relentless sexual harassment and sues Global for $150 million. Second-novelist Bing (Lloyd: What Happened, 1998) never lets us doubt that CaroleAnne is a nut case, and, as the trial proceeds, the real focus shifts to Harb, whose life is at first destroyed and then, miraculously, reborn. CaroleAnne becomes a pathetic stand-in for all who hate big business, while Harb’s astonishing transformation shows that there’s more to life than unlimited expense accounts, stock options, and the cozy certainties of corporate culture.

While its ending is foreordained (and a bit pat), the story succeeds marvelously in its seasoned appreciation of the many pleasures—and perils—of executive life. (See the July 15 issue of Kirkus for The Big Bing.)

Pub Date: Sept. 1, 2003

ISBN: 1-58234-280-6

Page Count: 304

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2003

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 39


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 39


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

Categories:
Close Quickview