A work animated by deep affection and informed by sturdy scholarship.
A gentle, concentric chronology of the English poet’s life, pausing occasionally for close—sometimes too close—discussions of poems and individual lines.
Plumly (English/Univ. of Maryland; Old Heart: Poems, 2007, etc.) brings his training, art and craft to bear on the sad case of John Keats (1795–1821), seeking to illuminate “certain connections and crossovers [that do] not fit the profile of strict biographical narrative.” Ruminating more than explicating, Plumly seeks to celebrate the verse and to illuminate the man. He visits and revisits the views of Keats’s friends and family, lovers and rivals. He interprets images of the poet made during Keats’s life, paying special attention to Charles Brown’s portrait, drawn just before consumption had begun its wasting work, and to Joseph Severn’s justly celebrated deathbed sketch of the friend he nursed during the final months in Rome. Quoting generously from Keats’s correspondence with his friends, Plumly gradually adds other portraits. Clustered around the poet were his brothers Tom, who died before him of the same disease, and George, who emigrated to America. His rival Percy Shelley invited the dying Keats to stay with him and Mary in Italy; his great friend Brown may have deliberately avoided accompanying the poet to Rome. Fanny Brawne, the great love of Keats’s final year, also comes to life here, as the author quotes from her sad letter to the poet’s sister: “All his friends have forgotten him, they have got over the first shock…They think I have done the same, but I have not got over it and never shall.” Severn emerges as the brightest hero in Keats’s darkest days. Filling out the canvas, Plumly examines the inadequacies and biases of the earliest biographies and offers educative asides on everything from tuberculosis and its treatment to 19th-century travel and Rome’s Protestant Cemetery.
A work animated by deep affection and informed by sturdy scholarship.Pub Date: May 1, 2008
ISBN: 978-0-393-06573-2
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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