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THE LIGHTNING KEEPER

Machines supply the light here; the people are dim indeed.

Ponderous second novel by veteran publishing exec Lawrence juxtaposes the fitful advance of early-20th-century American technology with the characters’ stalled romantic aspirations.

It’s love at first sight for Harriet and Toma when they meet briefly in Naples in 1908. She’s a 14-year-old upper-crust Yankee on vacation; he’s a 16-year-old Serb whose full backstory can be found in Montenegro (1997). Six years later, Harriet keeps the books at her family’s ironworks in Connecticut. Visiting New York with her deaf father to secure a contract to make wheels for subway cars, she discovers Toma serving as top assistant to the cars’ manufacturer. Sent by his boss to stay at the ironworks while they “smooth out” the production process, Toma meets Horatio, a canny black man who operates the giant water wheel, and Olivia, Horatio’s “wife” since she turned 12. A horrifying accident kills Horatio, cripples the wheel and dooms both contract and ironworks; on the plus side, it inspires Toma to invent a metal wheel, a big leap forward. He winds up in bed with Olivia, who falls in love with him. Toma still pines for Harriet, but accepts fatalistically her marriage to local banker and U.S. Senator Fowler Truscott. Why would a 53-year-old bachelor enter a marriage he does not consummate? Why is it so hard for the spirited Harriet to “balance the claims” of her two suitors? And why doesn’t Toma fight for his dream woman? There are serious fault lines here. The author is on more solid ground with Toma’s invention of a turbine and the entrance of two historical figures: Coffin, chairman of General Electric, and Steinmetz, the electrical engineering genius who foresees a national grid protected by lightning-arrestors. Toma, by now on GE’s payroll, becomes the great man’s “lightning keeper.” This at least is a coherent storyline, unlike the endless yearnings of Harriet and Toma, who worships the Senator’s wife unavailingly and abandons poor Olivia like roadkill.

Machines supply the light here; the people are dim indeed.

Pub Date: April 1, 2006

ISBN: 0-06-082524-3

Page Count: 432

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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