A topic both timely and timeless, psychologically astute and vividly rendered, with strong characters and a rich sense of...
Ten years later, a school shooting in West Texas is revisited from the perspective of a family it changed forever.
What we know, what Eve Loving, her husband, Jed, and their son, Charlie, know, is this: a recent graduate named Hector Espina Jr. returned to the Bliss Township School campus the night of the homecoming dance, shot the drama teacher and three of the students who were rehearsing with him, ran into Oliver Loving in the hall and put a bullet in his head, and then committed suicide. What Oliver knows or doesn’t know is unclear, as he remains in a coma a decade later in a dismal facility devoted to hopeless cases. Is he locked into his paralyzed body, fully aware, or has he been gone ever since that November night? The narration of his memories leading up to the dance—which revolve around a crush on a classmate who walked away from the shooting unscathed—suggests that he’s in there, but the reader can’t be sure. The intervening decade has not been good to the town of Bliss or to any of the Lovings. The high school never reopened, and the town’s Latino population fled the wave of xenophobia that arose from the incident. Eve Loving has become a wasted, martyred woman who compulsively pulls out her eyelashes and shoplifts books and electronics as gifts for her son when he awakens. Jed and she are separated; he’s tumbled ever further into alcoholism, silence, and fruitless attempts at making art. Charlie Loving, 13 at the time of the tragedy, eventually gave up on trying to stanch his parents’ emotional wounds and fled to the East Coast, where he has been trying to write a book about his brother with no success at all. When a new MRI becomes available that may definitively resolve the question of Oliver’s consciousness, perhaps allowing him to communicate and give answers about what happened that night, it turns out that all the survivors have known, and buried, much more than they ever let on. Block (The Storm at the Door, 2011, etc.) has serious chops; he should trust the reader more, repeat and analyze a little less.
A topic both timely and timeless, psychologically astute and vividly rendered, with strong characters and a rich sense of place.Pub Date: Jan. 16, 2018
ISBN: 978-1-250-16973-0
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Oct. 15, 2017
PROFILES
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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