Auci focuses a panoramic lens on the Florio family's achievements while never losing sight of the smaller personal details...
An earthquake in the autumn of 1799 forces the relocation of the real-life Florio family from a devastated Calabria to Palermo, Sicily, where seismic changes of another kind continue to occur within the renowned family—and their new homeland—over the course of three generations.
Siblings Paolo and Ignazio Florio struggle to grow their burgeoning spice business in their new home, facing cultural and financial obstacles before reaching a level of acceptance from their Sicilian neighbors. In addition to competition from local merchants, their efforts to expand their trade are confounded by the era of rising Napoleonic power. Matters are further complicated by the difficult relationship between Paolo and his unhappy wife, Giuseppina, who is angered by her powerlessness in the marriage and her forced relocation to Sicily. After Paolo’s death, the business grows and prospers under Ignazio’s guidance while Ignazio himself lives an existence constrained by his lifelong unrequited passion for his widowed sister-in-law. Ignazio guides his beloved nephew, Vincenzo, into the increasingly more successful family business, and it is under Vincenzo’s steely-eyed and unrelenting leadership that the enterprise expands beyond the spice trade into a hydra-headed entity dealing in sulfur, textiles, spices, insurance, Marsala wine, medicinal herbs, shipping, and banking. Vincenzo’s own complicated personal life—involving a long-term liaison with the mother of his children—recalls that of his parents. The broad scope of Auci's narrative encompasses the personal and professional difficulties endured by both women and men within the family while dealing with issues of class as well (the Florios were often derided as traders and shunned by the insular Sicilian nobility). A condensed course in Sicilian history and Italian unification is interspersed between chapters and serves to place the Florios’ struggles in historical context.
Auci focuses a panoramic lens on the Florio family's achievements while never losing sight of the smaller personal details of their (epic) lives.Pub Date: April 21, 2020
ISBN: 978-0-06-293167-2
Page Count: 304
Publisher: HarperVia
Review Posted Online: Feb. 1, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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