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THE JEW STORE

THE STORY OF FAMILY BUSINESS IN GOD'S COUNTRY

In this first book by a retired book reviewer for the Miami Herald, Suberman recounts the story of her family’s sojourn as the only Jews in a rural Tennessee town in the 1920s. When Aaron and Reba Bronson arrived in Concordia, Tenn., (Suberman changed the town’s name for the book) in 1920 to establish a dry-goods store, the hamlet had a population of 5,318 and the expectations of more to come when a new shoe factory was slated to open shortly after. Of those 5,318, almost all were God-fearing Christians of one denomination or another. The vast majority had never seen a Jew but “knew” that the Jews had horns and had killed Jesus. Yet the response of the town to the presence of the Bronsons turns out to be, for the vast majority, a bemused tolerance growing in many cases into outright love. When the Depression threatens the town, it is Aaron who proves to be the best “Christian” of them all, simply by being the most resourceful and caring of men. The Jew Store is as much a book about Jewish fear of Christian hostility as a story of overcoming anti-Semitism; Suberman is admirably frank about her mother’s fears of the townspeople, which are no less destructive than the few manifestations of genuine hostility. The town is populated with the sort of colorful characters that a novelist dreams of creating, from the Northern-educated wealthy spinster agnostic who befriends the Bronsons to her overbearing, overweight, Klan-loving cousin, who is the local real estate magnate. The book is by turns charming, funny, and moving, artfully but simply written and invested with a warm glow of family love. An admirable debut by Suberman, vividly told and captivating in its humanity. (Author tour)

Pub Date: Sept. 11, 1998

ISBN: 1-56512-198-8

Page Count: 312

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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