by Stephanie Dray & Laura Kamoie ‧ RELEASE DATE: April 3, 2018
Hamilton often took Eliza’s advice but, the authors imply, not often enough.
Eliza Hamilton claims her own place in American history.
This latest in the recent onslaught of Hamilton novels (The Hamilton Affair, by Elizabeth Cobbs, 2016, etc.) is narrated by the great man's wife, Eliza, also known by her childhood name of Betsy. Since Eliza is telling the story after her husband’s death, her mature perspective often casts doubt on her youthful one, as when she views her initial assessment of Hamilton’s loyalty against her later experience of his infidelity. If readers aren’t already familiar with Hamilton’s imbroglios, his widow's rueful recollections would guarantee spoilers galore. Eliza, the tomboyish daughter of pioneer, planter, slaveholder, general, and politician Philip Schuyler, sets male hearts aflutter, including that of future president James Monroe. Her reputation as “the finest tempered girl in the world” attracts more financially secure suitors, but she chooses Gen. Washington’s aide-de-camp, Hamilton, and marries him in 1780. Through Eliza’s eyes we are treated to an in-depth portrait of Hamilton, not to mention forward-looking psychoanalysis of his genius and personality defects. With his formidable intellect and powers of concentration, he is able to almost single-handedly shape the new democracy’s economy and tax structure. On the other hand, his hypersensitivity due to his illegitimate birth and hardscrabble childhood seems at regular intervals to unravel his best intentions. Episodic rather than plot-driven, the novel suffers from Dray and Kamoie's (America's First Daughter, 2016) seeming inability to choose what to summarize and what to depict as scenes in the book. Cliffhangers introduced very early are dropped, such as the first time Hamilton rides off to quell a mutiny, or take far too long to pay off, like a hinted-at romance between Hamilton and Eliza’s sister Angelica. Still, the novel is unflinching in detailing Eliza’s reactions, for example in her fraught encounters with Monroe throughout her life, her pre-duel compassion for Aaron Burr, and her many frustrations as Hamilton’s helpmeet, moral center, and de facto literary executor.
Hamilton often took Eliza’s advice but, the authors imply, not often enough.Pub Date: April 3, 2018
ISBN: 978-0-06-246616-7
Page Count: 672
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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