Glum and contrived.
Another mawkish family drama from the author of Jimmy’s Girl (2001), etc.
Again, an obligatory tearjerker plot: Claire Bishop, a consulting psychologist for the Connecticut Department of Social Services, who also runs a seafront inn with her husband Eli, a saintly veterinarian, accepts two last guests before closing for the season: a nervous father traveling alone with his blind daughter. Eli points out that something seems not quite right, but Claire doesn’t agree, willing herself to believe the man’s melodramatic tale. Nicholas Pierce, who calls himself an architect, says that his selfish, glamorous ex-wife insists on placing the pathetic little girl in an institution, and he intends to protect his only child from this grim fate as long as possible. Claire makes sympathetic murmurs—as her own beloved offspring have recently left for college, perhaps this little girl will cheer her up. And let’s not forget the subtext: Claire herself was abandoned by a selfish, glamorous woman who’d cherished hopes of a theatrical career—and who simply plopped little Claire into a playpen next to her pharmacist daddy and disappeared, never to be seen again. Is this early abandonment clouding Claire’s judgment now? You bet. (She seems blinder than the little girl she frets over, not even noticing that the child’s hair is dyed and ignoring her father’s odd behavior, like strolling on the beach with a briefcase he never lets go of, supposedly full of blueprints.) Then Kayla, who suffers from juvenile glaucoma, is suddenly in pain and begging for her eyedrops. Claire arranges to have the prescription delivered to the inn—and soon finds that her mysterious guests are gone, leaving behind only a bottle of hair dye dripping into the bathtub. Cops search rather lackadaisically through the next few chapters, hoping to reunite a bereft mother and her sightless child—but Claire’s emotional journey has only just begun. Will she ever find her own mother? And if so, how will she feel? Afterthought ending wraps it all up.
Glum and contrived.Pub Date: Sept. 1, 2003
ISBN: 0-525-94735-3
Page Count: 288
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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