edited by Stephanie Higgs & Elizabeth Paulson ‧ RELEASE DATE: July 2, 2019
Revelatory and inspiring young voices.
Young émigrés reflect candidly on family, faith, education, and their difficult journeys to becoming Americans.
United ReSisters, a group of young Somali American women living in Green Bay, Wisconsin, has become an active and important part of the social and cultural life of the predominantly white community. In a moving collection of reflections, poems, conversations, and letters, 12 forthright members of the group share their experiences escaping from Somalia’s civil war, living in refugee camps in Ethiopia and Kenya, struggling as newcomers to the United States (including first encountering cold and snow), and working to achieve their dreams for the future. Prominent among the group are the Kasim sisters—Nada, Nadifo, Nimo, Nasteho, and Najma—who arrived in the U.S. in 2014 after seven years in a refugee camp where, Najma recalled, “the food wasn’t enough for one meal a day,” and water was scarce. Still, they felt a sense of community that sustained them as they waited to emigrate. All the contributors speak to their desire for acceptance while still honoring their customs and religion; all wish Americans could be more open about understanding them rather than imposing assumptions about Africans or Muslims. Sometimes, they felt like “leftovers.” “I wanted so badly to be accepted into this new society,” confesses Hafsa Husseyn, although acceptance was sometimes a challenge. Her sister Maryam echoes other contributors by showing uncommon patience in confronting prejudice: “I am human, and you are, too,” she writes in an open letter titled “Hello Stranger.” Some Americans could not understand—or accept—their custom of wearing the head covering called hijab: “Some think I’m forced to wear hijab,” Nada Kasim writes, or believe that it reflects religious fundamentalism, neither of which is true. Other Americans do not understand fasting for Ramadan. “Fasting,” explains Nasteho Kasim, “is a way to learn patience, break bad habits, and even ease anger.” Afterwords by ReSisters’ co-facilitators underscore the young women’s commitment and courage.
Revelatory and inspiring young voices.Pub Date: July 2, 2019
ISBN: 978-1-7338890-0-1
Page Count: 148
Publisher: Two Shrews
Review Posted Online: April 23, 2019
Kirkus Reviews Issue: May 15, 2019
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by Jeffrey Foote ; Carrie Wilkens ; Nicole Kosanke with Stephanie Higgs
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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