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WE WEREN'T LOOKING TO BE FOUND

An insightful, grounded, and compassionately messy meditation on adolescence, institutional support, and helping oneself.

Two teenage girls’ paths intersect at a low point in their lives, but where they go from there is anything but certain.

Danielle Washington and Camila Ortiz meet at Peach Tree Hills, a suburban residential treatment facility for adolescent girls outside Atlanta, where they’re roommates as well as the only brown-skinned girls. Originally from a well-off Black political family in Dallas, Dani’s relationship to addiction and dependency is the primary focus of her recovery, but her resentment toward her mother and how that impacts her sense of self is complicated even further by learning to be honest with herself. Similarly, Cams has self-harm tendencies that her Latin American parents—one a Colombian immigrant and one Mexican American—in small-town Georgia have struggled with for some time. Kuehn is careful not to offer easy answers for why both girls find themselves in overlapping and distinct moments of despair and desperation, self-harm and self-sabotage, but the connections among family, race, and the widespread societal harm inflicted upon young girls in particular are presented thoughtfully in the dueling narrations of these two deeply intelligent and expressive teens. Dani and Cams complement each other well as earnest storytellers and, eventually, reluctant friends, but their experiences are as raw as their struggles may feel futile. Still, the professionals in the novel provide a tremendous and optimistic amount of care.

An insightful, grounded, and compassionately messy meditation on adolescence, institutional support, and helping oneself. (content warning, resource list) (Fiction. 13-19)

Pub Date: June 21, 2022

ISBN: 978-1-368-06410-1

Page Count: 320

Publisher: Disney-Hyperion

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

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In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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SOLO

A contemporary hero’s journey, brilliantly told.

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The 17-year-old son of a troubled rock star is determined to find his own way in life and love.

On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.

A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)

Pub Date: Aug. 1, 2017

ISBN: 978-0-310-76183-9

Page Count: 464

Publisher: Blink

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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