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WE WEREN'T LOOKING TO BE FOUND

An insightful, grounded, and compassionately messy meditation on adolescence, institutional support, and helping oneself.

Two teenage girls’ paths intersect at a low point in their lives, but where they go from there is anything but certain.

Danielle Washington and Camila Ortiz meet at Peach Tree Hills, a suburban residential treatment facility for adolescent girls outside Atlanta, where they’re roommates as well as the only brown-skinned girls. Originally from a well-off Black political family in Dallas, Dani’s relationship to addiction and dependency is the primary focus of her recovery, but her resentment toward her mother and how that impacts her sense of self is complicated even further by learning to be honest with herself. Similarly, Cams has self-harm tendencies that her Latin American parents—one a Colombian immigrant and one Mexican American—in small-town Georgia have struggled with for some time. Kuehn is careful not to offer easy answers for why both girls find themselves in overlapping and distinct moments of despair and desperation, self-harm and self-sabotage, but the connections among family, race, and the widespread societal harm inflicted upon young girls in particular are presented thoughtfully in the dueling narrations of these two deeply intelligent and expressive teens. Dani and Cams complement each other well as earnest storytellers and, eventually, reluctant friends, but their experiences are as raw as their struggles may feel futile. Still, the professionals in the novel provide a tremendous and optimistic amount of care.

An insightful, grounded, and compassionately messy meditation on adolescence, institutional support, and helping oneself. (content warning, resource list) (Fiction. 13-19)

Pub Date: June 21, 2022

ISBN: 978-1-368-06410-1

Page Count: 320

Publisher: Disney-Hyperion

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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SOLO

A contemporary hero’s journey, brilliantly told.

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The 17-year-old son of a troubled rock star is determined to find his own way in life and love.

On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.

A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)

Pub Date: Aug. 1, 2017

ISBN: 978-0-310-76183-9

Page Count: 464

Publisher: Blink

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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