by Stephanie Land ‧ RELEASE DATE: Jan. 22, 2019
An important memoir that should be required reading for anyone who has never struggled with poverty.
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First-time author Land chronicles her years among the working poor as a single mother with only a high school diploma trying to earn a living as a minimum-wage housecleaner.
The author did not grow up in poverty, but her struggles slowly evolved after her parents divorced, remarried, and essentially abandoned her; after she gave birth to a daughter fathered by a man who never stopped being abusive; and after her employment prospects narrowed to dirty jobs with absurdly low hourly pay. The relentlessly depressing, quotidian narrative maintains its power due to Land’s insights into working as an invisible maid inside wealthy homes; her self-awareness as a loving but inadequate mother to her infant; and her struggles to survive domestic violence. For readers who believe individuals living below the poverty line are lazy and/or intellectually challenged, this memoir is a stark, necessary corrective. Purposefully or otherwise, the narrative also offers a powerful argument for increasing government benefits for the working poor during an era when most benefits are being slashed. Though the benefits received by Land and her daughter after mountains of paperwork never led to financial stability, they did ameliorate near starvation. The author is especially detailed and insightful on the matter of government-issued food stamps. Some of the most memorable scenes recount the shaming Land received when using the food stamps to purchase groceries. Throughout, Land has been sustained by her fierce love for her daughter and her dreams of becoming a professional writer and escaping northwest Washington state by settling in the seemingly desirable city of Missoula, Montana. She had never visited Missoula, but she imagined it as paradise. Near the end of the book, Land finally has enough money and time to visit Missoula, and soon after the visit, the depression lifts.
An important memoir that should be required reading for anyone who has never struggled with poverty.Pub Date: Jan. 22, 2019
ISBN: 978-0-316-50511-6
Page Count: 288
Publisher: Hachette
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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BOOK TO SCREEN
BOOK TO SCREEN
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; translated by Marion Wiesel
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