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THE BREAD OF ANGELS

A MEMOIR OF LOVE AND FAITH IN DAMASCUS

A beautifully woven exploration of language and spirituality.

A pious, studious Fulbright scholar’s year in Syria, learning about Christianity from the Muslim point of view.

In 2004, Saldaña arrived in Damascus, where she learned Arabic, studied the Quran, mingled with the micro-societies inhabiting the old city and frequented the Mar Musa monastery, where she rekindled her Christian faith. Raised in San Antonio, Texas, to a half-Mexican Catholic family with a history of manic depression and violence, Saldaña fled to the Middle East after college, where she felt strangely safer. She reinvented herself as a journalist in Lebanon, before moving back stateside to attend Harvard Divinity School. The author arrived in Damascus during the second Iraq war, as U.S. bombs were dropping on Baghdad, yet she received no hostility from the denizens of the Christian quarter Bab Touma, where she found a room off Straight Street. She happily ensconced herself in this “neighborhood of exiles,” full of Assyrians, Palestinians and Iraqis fleeing violence, and befriended the shopkeepers, recognizing soon that her medieval Arabic was unusable and laughable. Yet taking a practical language class at Damascus University only yielded tedious sentences full of current terminology like “guns,” “bombs,” “politics” and “explosion.” A month’s stint undergoing rigorous spiritual exercises at the Mar Musa monastery plunged her into meditation on what her calling was—to become a nun, or a writer? Ultimately, she resolved to engage in the “messiness” of life, and fell in love with a young French monk, Frédéric. In the second half of her memoir, the author chronicles her apprenticeship under a famous teacher of the Quran. This “lesson in personal humility” is the most affecting part of the book, and the American author’s reading of the Quran in Arabic proves gracious and moving.

A beautifully woven exploration of language and spirituality.

Pub Date: Feb. 9, 2010

ISBN: 978-0-385-52200-7

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2009

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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