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THIS MIGHT HURT

A taut thriller that examines the twin legacies of trauma and grief.

With her second novel, the author of Darling Rose Gold (2020) brings more multi-point-of-view fun to thriller fans.

When a mysterious emailer threatens to reveal her darkest secret, Natalie Collins journeys from Boston to an isolated island off the Maine coast to confess the truth to her flighty younger sister, Kit. Kit has spent the last six months at Wisewood, a self-improvement retreat that requires attendees to give up all connections, including contact with friends and family and all forms of physical affection. When Nat shows up, the other residents of Wisewood refuse to give Nat any information about Kit, citing rules which prevent friends or family members from attending together. While her sister turns out to be an elusive presence on the island, Nat can't shake the feeling that someone is tailing her. With a blizzard coming in to prevent all travel back to the mainland and Wisewood staff growing increasingly hostile toward her, Nat's racing against a ticking clock to accomplish her mission and get back to her normal life. Although the genre-savvy will see the twists coming from miles away, Wrobel manages to keep the lines of her narrative pulled taut here. The narrator's torch passes among Natalie, Kit, and a third woman who goes unidentified until the novel's midpoint. Through flashbacks to a childhood and adolescence spent trapped in her abusive father's unhinged training regimen—one designed to purge fear and self-doubt from the girl and her sister—this third narrator's story quickly proves to be the novel's most captivating thread. Unfortunately, because neither Nat nor Kit shares her story with the same immediacy or intimacy as this counterpart, readers will inevitably feel a deeper connection to the long-unnamed woman. Once her identity is revealed, however, they'll be left to wonder if that wasn't the point all along.

A taut thriller that examines the twin legacies of trauma and grief.

Pub Date: Feb. 22, 2022

ISBN: 978-0-593-10011-0

Page Count: 336

Publisher: Berkley

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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