The ambiguous ending may frustrate some readers who like their thrillers neatly wrapped up.
Amidon’s latest suburban thriller explores the nature of class privilege and equal justice under the law.
The tranquility of the wealthy Boston suburb of Emerson is shattered when the body of Eden Perry is found in a home on tony Locust Lane, where the 20-year-old had been staying as a caretaker and dog walker. Police tell her estranged mother, Danielle, they believe she was murdered. The teenagers partying with Eden on the night of her death—golden-boy-with-a-dark-streak Jack Parrish, his sweet but troubled girlfriend, Hannah Holt, and shy outsider Christopher Mahoun, who had a crush on Eden—lie to their parents and the police about where they were that evening. But when scratches are found on Christopher’s neck, he becomes the prime suspect. As a grieving but tough Danielle seeks answers, the other parents take steps to protect their children, even if it comes at the expense of others. The shifting points of view alternate among Celia Parrish, who ignores troubling aspects of her son’s personality while relying on her husband to fix the problems Jack causes; successful restaurateur Michel Mahoun, whose ethnicity (Lebanese Maronite Catholic) marks him as a foreigner in the WASPy community; unhappily married Alice Holt, who is convinced her lover Michel’s son is innocent and who plies Hannah, her stepdaughter, with wine to get at the truth; local man Patrick Noone, on a downward spiral from his daughter Gabi’s fatal overdose, who may have seen the killer on Locust Lane during a late-night drive; and Danielle. Amidon writes smoothly but relies on clichés for his observations on class differences. With her dyed black hair and tattoos, Danielle is a working-class representative, while the socially prominent Parrishes are stereotypes of class entitlement. It’s easy to identify the villains early on. The flipping among perspectives slows the narrative and makes it difficult at times to keep track of the mostly unlikable characters in this plodding thriller.
The ambiguous ending may frustrate some readers who like their thrillers neatly wrapped up.Pub Date: Jan. 17, 2023
ISBN: 978-1-250-84423-1
Page Count: 320
Publisher: Celadon Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
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