The ambiguous ending may frustrate some readers who like their thrillers neatly wrapped up.
Amidon’s latest suburban thriller explores the nature of class privilege and equal justice under the law.
The tranquility of the wealthy Boston suburb of Emerson is shattered when the body of Eden Perry is found in a home on tony Locust Lane, where the 20-year-old had been staying as a caretaker and dog walker. Police tell her estranged mother, Danielle, they believe she was murdered. The teenagers partying with Eden on the night of her death—golden-boy-with-a-dark-streak Jack Parrish, his sweet but troubled girlfriend, Hannah Holt, and shy outsider Christopher Mahoun, who had a crush on Eden—lie to their parents and the police about where they were that evening. But when scratches are found on Christopher’s neck, he becomes the prime suspect. As a grieving but tough Danielle seeks answers, the other parents take steps to protect their children, even if it comes at the expense of others. The shifting points of view alternate among Celia Parrish, who ignores troubling aspects of her son’s personality while relying on her husband to fix the problems Jack causes; successful restaurateur Michel Mahoun, whose ethnicity (Lebanese Maronite Catholic) marks him as a foreigner in the WASPy community; unhappily married Alice Holt, who is convinced her lover Michel’s son is innocent and who plies Hannah, her stepdaughter, with wine to get at the truth; local man Patrick Noone, on a downward spiral from his daughter Gabi’s fatal overdose, who may have seen the killer on Locust Lane during a late-night drive; and Danielle. Amidon writes smoothly but relies on clichés for his observations on class differences. With her dyed black hair and tattoos, Danielle is a working-class representative, while the socially prominent Parrishes are stereotypes of class entitlement. It’s easy to identify the villains early on. The flipping among perspectives slows the narrative and makes it difficult at times to keep track of the mostly unlikable characters in this plodding thriller.
The ambiguous ending may frustrate some readers who like their thrillers neatly wrapped up.Pub Date: Jan. 17, 2023
ISBN: 978-1-250-84423-1
Page Count: 320
Publisher: Celadon Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.
An author is targeted by a fan who just can’t let her go.
Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.Pub Date: May 26, 2026
ISBN: 9781250413581
Page Count: 432
Publisher: St. Martin's
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
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