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SAVING MISS OLIVER'S

Name: SAVING MISS OLIVER'S
Author: Stephen Davenport
ISBN: 978-1-5132-6131-7

by Stephen Davenport ‧ RELEASE DATE: Sept. 18, 2018

A book for anyone who's wondered about the inner workings and worries of a school administration.

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A year in the life of a New England boarding school on the brink of dissolution.

This book begins on graduation day for Miss Oliver's, an independent boarding school for girls, and it's also the last day for Marjorie Boyd, the headmistress for the last 35 years. When she is replaced by Fred Kindler, a chaotic year ensues. It was the board's decision to fire Marjorie and hire Fred, and the staff is divided on their feelings about the new headmaster's presence. The change is most traumatic for Francis and Peggy Plummer, a married couple who have devoted their lives to the school—he as a math and English teacher, she as librarian. Partly to avoid being confronted by this change and partly as a personal journey of discovery, Francis leaves for the summer on an archaeological dig—and this, coupled with Francis' disdain for the new headmaster, may mean the end of his marriage. It comes to light that Fred was brought aboard because the school is in danger of shutting down; enrollment has drastically declined, and the budget appears irreparable. The question of how to solve this problem and save the school is the thrust of the entire novel. At its center is a debate about whether boys should be allowed to attend—for some people, going coed is the obvious solution, while others would rather see the school shut down than witness such a horror. Most of the drama comes from unnecessary misunderstandings between people who fail to effectively express themselves and from unexplained—but convenient—disasters, such as the library burning down. There are moments here that indicate that Davenport, who, as his bio notes, "had a long career in education," was probably an excellent teacher, like a scene in which Francis explicates a Robert Frost poem with his class, and there are some wonderful students, like the head of the school newspaper who is conducting research about the sex lives of students. But those attributes are overshadowed by the book's focus on bureaucracy and the boardroom, and the narrative suffers for it.

A book for anyone who's wondered about the inner workings and worries of a school administration.

Pub Date: Sept. 18, 2018

ISBN: 978-1-5132-6131-7

Page Count: 380

Publisher: WestWinds Press

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).