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POLITICALLY INSPIRED

AN ANTHOLOGY OF FICTION FOR OUR TIME

A superb collection, without a single dud. Grab it.

September 11, the War on Terror, the invasion of Iraq . . . . Why not explore our new reality through fiction, the truest gauge of the national psyche? That was Elliott’s bright idea. And the result? A deeply impressive collection of 26 previously unpublished stories.

Novelist Elliott (What It Means to Love You, 2002, etc.) has chosen a dynamite opener: “The President’s New Clothes,” by Anne Ursu. Using the familiar gimmick of the body-switch, Ursu has Dubya waking up in the body of a Minnesotan kid. What follows is sunny, upbeat and lethal, the perfect fable for an empty-suit presidency. Four stories focus on 9/11 and its immediate aftermath; not surprisingly, the surreal version (“Mr. Mxyzptlk’s Opus,” by Ben Greenman) is as effective as realistic treatments like the “End-of-the-World Sex,” by Tsaurah Litzhy, which highlights the correlation of sex and death. Two fine stories examine the effect of politics and terrorism on personal relationships. In Alicia Erian’s “The Winning Side,” husband and wife protest together the detention of immigrants, yet perversely their marriage drifts further onto the rocks, while in “Should I Be Scared?” by Amanda Eyre Ward, the anthrax scare opens up a rift in another marriage. Six authors take on the Persian Gulf wars. In “Freedom Oil,” Anthony Swofford has an oilman put together a showbiz sendoff for our boys at San Diego airport. Two marines fresh out of boot camp are sucked into a swirl of sex, liquor, and phony patriotism. The flip side is the story that cannot be told too often, seldom better done than here: the homecoming of the soldier who is still living with the horror (“The Designated Marksman,” Otis Haschemeyer). Two other gems must be mentioned: the wickedly on-target notes of sessions with public figures by a real-life dominatrix (“All in a Day’s Work,” by Mistress Morgana), and a small masterpiece of absurdist logic by the Palestinian Nasri Hajjaj, about a man who slaughters his family and is promptly honored by his nation’s leader (“I Believe I’m in Love With the Government”).

A superb collection, without a single dud. Grab it.

Pub Date: Oct. 8, 2003

ISBN: 1-931561-58-3

Page Count: 286

Publisher: MacAdam/Cage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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