A superb collection, without a single dud. Grab it.

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POLITICALLY INSPIRED

AN ANTHOLOGY OF FICTION FOR OUR TIME

September 11, the War on Terror, the invasion of Iraq . . . . Why not explore our new reality through fiction, the truest gauge of the national psyche? That was Elliott’s bright idea. And the result? A deeply impressive collection of 26 previously unpublished stories.

Novelist Elliott (What It Means to Love You, 2002, etc.) has chosen a dynamite opener: “The President’s New Clothes,” by Anne Ursu. Using the familiar gimmick of the body-switch, Ursu has Dubya waking up in the body of a Minnesotan kid. What follows is sunny, upbeat and lethal, the perfect fable for an empty-suit presidency. Four stories focus on 9/11 and its immediate aftermath; not surprisingly, the surreal version (“Mr. Mxyzptlk’s Opus,” by Ben Greenman) is as effective as realistic treatments like the “End-of-the-World Sex,” by Tsaurah Litzhy, which highlights the correlation of sex and death. Two fine stories examine the effect of politics and terrorism on personal relationships. In Alicia Erian’s “The Winning Side,” husband and wife protest together the detention of immigrants, yet perversely their marriage drifts further onto the rocks, while in “Should I Be Scared?” by Amanda Eyre Ward, the anthrax scare opens up a rift in another marriage. Six authors take on the Persian Gulf wars. In “Freedom Oil,” Anthony Swofford has an oilman put together a showbiz sendoff for our boys at San Diego airport. Two marines fresh out of boot camp are sucked into a swirl of sex, liquor, and phony patriotism. The flip side is the story that cannot be told too often, seldom better done than here: the homecoming of the soldier who is still living with the horror (“The Designated Marksman,” Otis Haschemeyer). Two other gems must be mentioned: the wickedly on-target notes of sessions with public figures by a real-life dominatrix (“All in a Day’s Work,” by Mistress Morgana), and a small masterpiece of absurdist logic by the Palestinian Nasri Hajjaj, about a man who slaughters his family and is promptly honored by his nation’s leader (“I Believe I’m in Love With the Government”).

A superb collection, without a single dud. Grab it.

Pub Date: Oct. 8, 2003

ISBN: 1-931561-58-3

Page Count: 286

Publisher: MacAdam/Cage

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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