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NIGHTMARE, WITH ANGEL

British TV writer Gallagher makes his US debut in this neo-gothic tale of an unhappy girl who's neglected by her often absent father, who's bent on returning to her highly unsuitable mother—and who runs away from home in the company of a child killer. It's not surprising that 11-year-old Marianne Cadogan, left for days with an unsympathetic housekeeper while her distant father Patrick is away on business, would turn for companionship to Ryan O'Donnell, the scavenger who rescued her and her dog from a sudden squall outside her isolated house. Despite Ryan's repeated truculent warnings, she keeps returning to him—and, when she's finally worn out with grief and loneliness, begs him to go with her to Germany in search of Patrick's estranged wife Annaliese. She doesn't know (and for a long time neither do we) that Ryan's done serious prison time for murdering another young girl years ago, or that Patrick left Annaliese abruptly five years before because he found out she was into wholesale sexual humiliation with a white slaver. So we've got Marianne threatened by a companion who has a long history of homicidal mental disturbance, headed toward a mother whose friends would love to get their hands on her, and pursued by a father determined to kill her protector (if that's what he is). Something's got to give, and it's Annaliese, whose violent death pushes Gallagher's tale over the edge into chop-chop action before the preordained uplifting fade-out. The title says it all. As in disaster movies, whatever may happen to the good guys, the bad guys are sure to be punished in this swift- moving, professional midbrow pulp.

Pub Date: Sept. 1, 1993

ISBN: 0-345-38512-8

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1993

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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