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RED, RED ROBIN

Picking the wrong photo from an escort service's book sends Philadelphia ad exec Ruth Lasseter careening into a nightmare of murder and obsession. Ruth's just looking for somebody presentable to bring to an office party that her lover and his suspicious wife will be attending. But she gets more, much more, after her subsequent one-night stand with good-looking Tim Hagan. Tim is evidently so besotted with Ruth that he won't let her break it offand if she could look into his past, she'd see how badly he handles rejection. In what seems like the crest of her terror, quietly demented Tim kidnaps her from her office; but although she's rescued by security guard Aidan Kincannon, her nightmare only deepens. A year later, even after the police have called her and Aidan to identify Tim's body (fat lot they know), she's still convinced he's out there watching herand of course she's right. Working with Aidan and against the police and the fedswho want to deport her to Britain: she's lost the job that guaranteed her status, and there's the little matter of an unlicensed gunshe traces her tormentor to his sordid roots in Louisiana. Only now does Gallagher (Nightmare, with Angel, 1993) allow the slam-bang pace of his story to flag, as he labors to fill in dysfunctional family background that makes Tim more human but distinctly less intimidating. (It doesn't help his reputation that some of his victims, like Tim himself, show a lamentably anticlimactic disinclination to stay dead.) This modulation, though, prepares for an original and chilling payoff: Ruth, echoing Tim's original mothlike attraction to her, becomes so obsessed with himwith finding him, killing him, dying together with himthat it begins to look as if the real danger is to anybody who might get in her way. A satisfyingly twisty suspenser with a truly menacing villain. (Literary Guild/Mystery Guild alternate selections)

Pub Date: Oct. 1, 1995

ISBN: 0-345-38644-2

Page Count: 384

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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