An original work of high distinction indeed: as fine a historical novel as any within recent memory, and far and away...
A full-dress fictionalization of the historic siege remembered as "the Texas holy of holies," from the veteran Texas Monthly contributor and novelist (Jacob's Well, 1984, etc.).
Harrigan's obviously fully researched reconstruction of the events of 1836, when a band of "Texians" determined to free "their" territory from Mexican control succumbed after a 13-day ordeal to the much larger Mexican Army, skillfully mingles together well-known historical figures with vividly realized fictional characters. Prominent among the latter are Terrell Mott, a 91-year-old survivor honored at ceremonies marking the siege's 75th anniversary in 1911, in the novel's moving prologue and epilogue; Terrell's mother, widowed Mary Mott, who courageously enters the very epicenter of the struggle, to be reconciled, and, if necessary, die with her loved ones; and Edmund McGowan, an itinerant botanist (hoping to complete his authoritative Flora Texana) for whom the Texas war of liberation becomes a transformative challenge to his lifelong suppression of his emotions and belief "in the governing majesty of the mind." Hot-blooded William Travis, infamous "knife-fighter" Jim Bowie, Congressman David Crockett from Tennessee, and their supposed confederate Sam Houston (whose troops arrive too late to avert the slaughter) are all memorably delineated, as are Mexico's "Presidente" General Santa Anna and two of his officers (both fictional) who grow to both maturity and disillusionment during the long campaign. Harrigan builds slowly and surely toward the story’s inevitable, impressive climax, examining in thrilling detail his several protagonists' quests for both freedom and fulfillment, foreshadowing deftly (for example, in a startling description of a tame parrot being swept up into the sky by a marauding hawk), and making us care deeply about the buttoned-up, self-despising Edmund and the heroic, very human woman who he knows in his heart is part of him.
An original work of high distinction indeed: as fine a historical novel as any within recent memory, and far and away Harrigan's best book yet. (First printing of 100,000; Book-of-the-Month Club alternate selection/Quality Paperback Book Club selection)Pub Date: March 6, 2000
ISBN: 0-679-44717-2
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
Brimming with warmth and vitality, this new novel by the author of How the Garcia Girls Lost Their Accents (1991) is a paean to the power of female courage. The butterflies are four smart and lovely Dominican sisters growing up during Trujillo's despotic regime. While her parents try desperately to cling to their imagined island of security in a swelling sea of fear and intimidation, Minerva Mirabal—the sharpest and boldest of the daughters, born with a fierce will to fight injustice—jumps headfirst into the revolutionary tide. Her sisters come upon their courage more gradually, through a passionate, protective love of family or through the sheer impossibility of closing their eyes to the horrors around them. Together, their bravery and determination meld into a seemingly insurmountable force, making Trujillo, for all his power, appear a puny adversary. Alvarez writes beautifully, whether creating the ten-year-old Maria Teresa's charming diary entries or describing Minerva's trip home after her first unsettling confrontation with Trujillo: ``As the road darkened, the beams of our headlights filled with hundreds of blinded moths. Where they hit the windshield, they left blurry marks, until it seemed like I was looking at the world through a curtain of tears.'' If the Mirabal sisters are iron-winged butterflies, their men—father and husbands—often resemble those blinded moths, feeble and fallible. Still, the women view them with kind, forgiving eyes, and though there's no question of which sex is being celebrated here, a sweet and accepting spirit toward frailty, if not human cruelty, prevails. This is not Garc°a M†rquez or Allende territory (no green hair or floating bodies); Alvarez's voice is her own, grounded in realism yet alive with the magic of everyday human beings who summon extraordinary courage and determination to fight for their beliefs. As mesmerizing as the Mirabal sisters themselves. (First printing of 40,000; $40,000 ad/promo; author tour)
Pub Date: Sept. 1, 1994
ISBN: 1-56512-038-8
Page Count: 344
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
A fable about the consolatory and strengthening powers of religion flounders about somewhere inside this unconventional coming-of-age tale, which was shortlisted for Canada’s Governor General’s Award. The story is told in retrospect by Piscine Molitor Patel (named for a swimming pool, thereafter fortuitously nicknamed “Pi”), years after he was shipwrecked when his parents, who owned a zoo in India, were attempting to emigrate, with their menagerie, to Canada. During 227 days at sea spent in a lifeboat with a hyena, an orangutan, a zebra, and a 450-pound Bengal tiger (mostly with the latter, which had efficiently slaughtered its fellow beasts), Pi found serenity and courage in his faith: a frequently reiterated amalgam of Muslim, Hindu, and Christian beliefs. The story of his later life, education, and mission rounds out, but does not improve upon, the alternately suspenseful and whimsical account of Pi’s ordeal at sea—which offers the best reason for reading this otherwise preachy and somewhat redundant story of his Life.
Pub Date: June 1, 2001
ISBN: 0-15-100811-6
Page Count: 336
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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