Bogart was only eight when his famous father died; now that he's a grown-up, a published author (Play It Again, 1995), and a TV producer, he is ready to confront the legend. As a young man, Stephen Bogart was troubled by the fame of his father; he felt abandoned after the actor's premature death at 57 and oppressed by his equally famous mother's enshrining of Bogie's memory. When MomLauren Bacall (who will contribute the book's forward)urged him to learn about his father, Stephen resisted mightily, ``fleeing my father's ghost at every turn.'' Now an adult with kids of his own, Stephen is ready to confront his family past, and this biography of Bogieas much about Stephen's growing up as about his father's life and careeris the result. The book opens by paraphrasing the sappy pop song ``Key Largo'': ``When I was a kid I had it all. Just like Bogie and Bacall. In fact, I had them, too.'' It's a bad omen. The author in fact has little to add to the already familiar story of his father's roots in wealth, rebellion against his parents, ups and downs on Broadway, sputtering Hollywood career, and eventual skyrocketing takeoff with High Sierra, The Maltese Falcon, and Casablanca. He repeats some familiar anecdotes about his old man's excessive drinking and needling wit, talks to some of his cronies, and offers us the results in artless, flat prose that does nothing to engage the reader. Bogart contributes nothing to our knowledge of his father's films, his politics, his sex life, or his marriage to Bacall. He spends entirely too much time making inappropriate comparisons between his father's habits, beliefs, and conduct and his own. A memoir clearly written to exorcise some personal ghosts. (First printing of 125,000; author tour)
Pub Date: Sept. 7, 1995
ISBN: 0-525-93987-3
Page Count: 320
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 1995
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
