Exchanging the snipers of previous books (Point of Impact, 1993, etc.) for a gang of murderers on the lam, Hunter unleashes a memorable orgy of testosterone and bloodlust, delivering a wickedly mature thriller in the process. Made to flee relative contentedness in a maximum-security Oklahoma prison after killing a black inmate, lifelong white-trash bad boy Lamar Pye enlists the aid of his lumbering idiot cousin, Odell, and artist-cum-convict Richard Peed to engineer a hasty jailbreak before undertaking a desperate exodus from the law. Enter Bud Pewtie, an Oklahoma highway patrolman who seems modeled after a statue of a statue of John Wayne. Though chiseled from dolomite, Bud is showing a few cracks: an affair with his partner's nubile, freckly wife and a midlife crisis that verges on plainspoken existential despair. Stumbling into an ambush, Bud gets promptly and repeatedly shot; his partner gets killed. Vendetta formed, a story that had dangled several tantalizing plot twists narrows to a sly variation on the basic gunfighter yarn, with a dash of detective work thrown in. Hands less skilled than Hunter's (he is the OED of firearms) might send such a miasma of random violence, perverse criminal clansmanship, and dogged retribution straight to snoozeville. But the novel is rescued by the deeply zonked Lamar, who appears to have wandered out of the same scorched wilderness (in this case, a desolate Western landscape) that gave us Nietzsche's Zarathustra. Lamar's lessons on the vanished criminal arts (counterpointing Bud's Sunday-dinner tableau) guide his rogue brood to the blood-soaked consecration of a bizarre family romance: Daddy Lamar, his prison-groupie girlfriend Ruta Beth Tull as Mom, Richard as their disappointing son, and Odell as the ``innocent'' Baby. Splendid, raunchy writing, which proposes that between the violently deranged and the unrelentingly lawful there dwells a variety of armed-to-the-teeth wistful bad guys that no one wants to meet.

Pub Date: Nov. 1, 1994

ISBN: 0-679-43751-7

Page Count: 440

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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