Breathlessly violent at times, downright lyrical at others, Hunter's (Pale Horse Coming, 2002, etc.) best yet.


Fidel Castro is young and feckless, Earl Swagger is deadly and indomitable, Havana is Dodge City revisited—and as action fiction goes, it doesn't get any better than this.

There's Arkansas State Trooper Earl Swagger, Congressional Medal of Honor winner for extraordinary behavior on Iwo Jima during WWII, doing family stuff when a gaggle of suits turns up on his front porch. At its head is the Honorable Harrison J. Etheridge, breathing hard at the prospect of lubricious infidelity in Havana's famed brothels and needing an expert bodyguard to keep him safe while he goes about it. Before he can say “inuxurious,” Earl finds himself drafted and crossing the Caribbean to debark in more complex trouble than he could possibly have imagined. That's because Earl, a pearl among gunslingers, is a bit out of his depth geopolitically. Which is another way of saying he's thoroughly unaware that Cuba (1953) is about to become a serious target of opportunity in the intensifying Cold War between the USSR and the US. Case in point: that idealistic, impossibly naïve, charismatic young lawyer Castro, who the KGB sees as exploitable. And who the CIA sees as expendable—a force counterproductive to the well-being of Domino Sugar, United Fruit, and hence the best interests of the US government. So wouldn't it be great if, since he's in Cuba anyway, a person as “heroic, capable, and patriotic” as ex-sniper Swagger could see his way clear to doing something nice for his country. (Wink, wink, nudge, nudge.) Stir the pot further with some nasty gangsta types from New York, a pair of singularly focused assassins, a highly resourceful Soviet superspy, a fella named Battista, and it's a wonder anyone gets out alive.

Breathlessly violent at times, downright lyrical at others, Hunter's (Pale Horse Coming, 2002, etc.) best yet.

Pub Date: Oct. 1, 2003

ISBN: 0-7432-3808-7

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2003

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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