Through intelligent selection and commentary, Jones (ed. Fantasy Tales) and Campbell (The Count of Eleven, p. 479, etc.) again prove that horror literature, widely considered an oxymoron not so very long ago, is a field of fiction worthy of serious cultivation. As in their first two annuals, the authors have combed through sources both high-profile (A Whisper of Blood, 1991, etc.) and desperately obscure (Tekeli-li! Journal of Terror) to dig out ``a varied selection...that illustrates the themes and ideas currently being explored in the genre.'' The emphasis on ideas can be seen in the authors' roster, which includes big names (Robert McCammon, Dennis Etchison, Thomas Tessier, et al.), fast-rising young stars (Nancy Collins, Thomas Ligotti, Kathe Koja, et al.), and several newcomers—but only a couple of splatterpunks and absolutely no hacks, with most of the 29 entries distinguished by deft style and ambitious subjects. The triangle of love, suffering, and death surfaces as the dominant theme—from K.W. Jeter's opening ``True Love'' (a vampire's daughter cares for her senile but immortal father) through Douglas Clegg's gothic ``Where Flies are Born'' (a woman reanimates her dead child through grotesque means), Alan Brennert's ``Ma Qui'' and S.P. Somtow's ``Chui Chai'' (two wrenching Vietnam-set tales), and the collection's strongest story, Grant Morrison's ``The Braille Encyclopedia'' (a sly shocker about the pursuit of sensual pleasure), and others. A few stories fail, mostly through straining (e.g., those by David J. Schow and Charles Grant) but the vast majority succeed, and equally of interest is the editors' opinionated rundown of the year's (1991) horror fiction, criticism, film and comics, and their invaluable necrology. For the third year running, horror's annual of record, as well as its premier showcase. Not to be missed by any serious fan.
Pub Date: Sept. 15, 1992
ISBN: 0-88184-858-1
Page Count: 448
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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