Top suspense with a surreal climax you'd have to read twice if the epilogue didn't spell out its layered complexities.

DREAMCATCHER

King's first novel since Bag of Bones (1998) builds on the stylistic improvement begun with his splendidly well-written The Green Mile (1996).

Dreamcatcher may at first seem a falling off, as the opening pages crank up the plot and four lads in Derry (see It and Insomnia) exchange vulgarities, but by the halfway point an immense fluff of seeming irrelevancies coalesce into a tight storyline and King has well and truly roped readers for the big ride. The four lads—Gary "Jonesy" Jones, Joe "Beaver" Clarendon, Henry Devlin, and Pete Moore—rescue retarded Douglas "Duddits" Cavell from gross bullying by big Richie Grenadeau. Later, in a communal dream, the four boys and Duddits find Richie beheaded in a ditch, a horror revealed piecemeal over several hundred pages that turns out to be real. The five have literally dreamed Richie dead. This spine-shaking ability comes up against a huge psychic enemy: the invasion of the planet by a thinking fungus that means to take over all species. King hints at a debt to Brian Lumley's great short story "Fruiting Bodies" and tells how the red fungus (called "the Ripley" after Sigourney Weaver's character in Alien) represents all the ETs we have seen in films by Spielberg, Cameron, and others. Twenty-five years later, Jonesy is a history teacher, Henry a shrink bedeviled by suicide, Pete a car salesman, and Beaver a happy-go-lucky partygoer losing his wife. The men meet for a week of deer hunting up in Maine. What they find is the red fungus, escaped from a crashed UFO destroyed by the Air Force and spreading like superflu in The Stand. Only the seemingly retarded Duddits can summon the Dreamcatcher that draws them together and gives them the force to fight a human villain: Kurtz (yes, that Kurtz), a psychotic military officer killing "grayboy" aliens and all humans infected by the Ripley.

Top suspense with a surreal climax you'd have to read twice if the epilogue didn't spell out its layered complexities.

Pub Date: March 20, 2001

ISBN: 0-7432-1138-3

Page Count: 624

Publisher: Scribner

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once...

DELIVER US FROM EVIL

In Baldacci’s 19th (True Blue, 2009, etc.), boy and girl monster-hunters meet cute.

Evan Waller, aka Fadir Kuchin, aka “the Butcher of Kiev,” aka “the Ukrainian psychopath,” is one of those deep-dyed villains a certain kind of fiction can’t do without. Serving with distinction as part of the Soviet Union’s KGB, he joyfully and indiscriminately killed thousands. Now, many years later, posing as a successful businessman, he’s vacationing in Provence where, unbeknownst to him, two separate clandestine operations are being mounted by people who do not regard him with favor. Reggie Campion—28 and gorgeous—spearheads the first, an ad hoc group of monster-hunting vigilantes. Studly, tall Shaw (no first name supplied) is point guard for a rival team, shadowy enough to leave the matter of its origin ambiguous. While their respective teams reconnoiter and jockey for position, studly boy meets gorgeous girl. Monster-hunters are famous for having trust issues, but clearly these are drawn to each other in the time-honored Hollywood fashion. Shaw saves Reggie’s life. She returns the favor. The attraction deepens and heats up to the point where team-members on both sides grow unsettled by the loss of focus, singularly inopportune since, as monsters go, Waller rises to the second coming of Caligula—ample testimony furnished by a six-page, unsparingly detailed torture scene. In the end, the stalkers strike, bullets fly, screams curdle the blood, love has its innings and a monster does what a monster’s got to do.

The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once again show the stuff it’s made of.

Pub Date: April 20, 2010

ISBN: 978-0-446-56408-3

Page Count: 416

Publisher: Avon A/HarperCollins

Review Posted Online: Feb. 4, 2011

Kirkus Reviews Issue: April 15, 2010

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