Exceptionally written and scripturally loyal, this is a fine achievement.
An imaginative retelling of the biblical story of Joseph.
In his latest, Mitchell (The Frog Prince: A Parable of Love and Transformation, 1999, etc.)—who has translated Beowulf, The Odyssey, Bhagavad-Gita, and the Tao Te Ching, among many other significant works—re-creates the story of Joseph into a novelistic tale of self-discovery, tragedy, love, and reconciliation. Joseph, the most beloved of Jacob’s 12 sons, was sold into slavery by his jealous brothers, but he eventually became a powerful leader in Egypt and saved his family and many others through his wisdom during a major famine. Mitchell approaches this ageless tale with tact and respect, adding to it through his artistic, sensitive retelling. Whereas the Bible’s language is spare and to the point, Mitchell’s prose is rich with imagery and reflection. Because of his thorough understanding of the time period, the author is able to provide, or create, authentic details that flesh out the Joseph story for all readers. At the same time, he manages to slyly squeeze in anachronistic details that add to the richness of the story. In one scene, for example, Mitchell writes, “Joseph leans back in his adjustable chair and puts his feet up on the mahogany desk that was last year’s birthday present from his boss.” The author also draws on the understated sexual details of the biblical account and portrays scenes of lust and longing, sometimes shocking in their context yet also very human. He creates vivid psychological portraits of the characters, as well, portraying a broken-hearted Jacob, a rough yet ethical Judah, a bumbling but amiable Potiphar, and a saintlike Joseph. Mitchell presents Joseph as he is in the Bible: a man of imperfections as well as great wisdom and restraint, favored by God. In keeping to the scriptural ideal of Joseph, the author provides authenticity to a bold work of creative storytelling.
Exceptionally written and scripturally loyal, this is a fine achievement.Pub Date: Sept. 17, 2019
ISBN: 978-1-250-23752-1
Page Count: 272
Publisher: St. Martin's Essentials
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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