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THE MAGICAL STRANGER

A SON'S JOURNEY INTO HIS FATHER'S LIFE

Candid and affecting.

Journalist Rodrick's powerful debut chronicles the long, difficult process of coming to terms with the untimely death of his father, a Navy pilot.

Black Ravens squadron commander Peter Rodrick was just 36 in 1979, when his airplane went down in the Indian Ocean. After his son turned the same age in 2002, Stephen's then-wife told him that he wouldn’t be “a proper father" until he "made peace" with his dad. The younger Rodrick tried, writing an article about Navy pilots on the Kitty Hawk, his father’s last ship, but Pete remained the enigmatic “magical stranger” of his childhood. The peacemaking task didn't begin in earnest until Stephen received an invitation to a ceremony involving Pete’s old squadron in 2009. Getting to know the Black Ravens’ newly commissioned commander, James Hunter Ware III, he realized, would help him better understand his father. The resulting narrative weaves between Rodrick’s memories of a brilliant, mysterious father and his account of Ware’s personal and professional trials in the same job. Peter Rodrick was a dedicated officer and fearless “cowboy” pilot, but he left the task of guiding his wayward son to a beleaguered wife against whom Stephen battled throughout his childhood and adolescence. By contrast, Ware struggled with his competing allegiances to the Navy and a wife who had sacrificed everything for him. Through his examination of both men’s lives, the author came to accept his father and understand that the accident was not the result of Pete's “sin” of reckless bravado. Finding closure with his father’s death, he could finally acknowledge the quietly heroic role of his mother. It was ultimately she, he concludes, who made him “worthy” of the Rodrick name.

Candid and affecting.

Pub Date: May 14, 2013

ISBN: 978-0-06-200476-5

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: March 30, 2013

Kirkus Reviews Issue: April 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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