A very real ship inspires a very slight story, coasting on some serious sweetness.
A humanitarian hospital ship figures in a tale of ailing boats and gentle aid.
When the ships are sick, nobody’s happy. Not Barge, who “got bonked,” or Submarine, who has the shakes. Neither are feverish Ferry, coughing Aircraft Carrier, and sniffly, drippy Dory. Who takes care of these ill boats? Why, hospital ship Hope, of course! In a jiffy she treats, comforts, and cares for anyone under the weather. By the time everyone is “shipshape” again, they can rest assured that in the event of another emergency, they’ll always be able to rely on Hope. Backmatter includes a note on the real SS Hope, America’s first peacetime hospital ship, which spent 14 years traveling the world bringing care and training to other countries. Children fearing hospital visits, doctors, or nurses may find comfort in the book’s measured tone. This is reflected not merely in the spare text with its gentle wordplay, but also in the simplicity and style of the digital art. Shapes are cleanly delineated, colors and planes flat. The composition in which Barge suffers her injury is so stylized as to resemble an exercise in the play between positive and negative space. Both text and visuals are so restrained that while the ship-obsessed will love it, it is unlikely that the book will stand up to much rereading among other audiences.
A very real ship inspires a very slight story, coasting on some serious sweetness. (Picture book. 3-6)Pub Date: May 4, 2021
ISBN: 978-0-8234-4518-9
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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