A resource for the babysitter bookshelf and to prompt conversations about seeing beyond appearances.
When Mom and Dad go on a date, the children meet their new babysitter with caution that turns to glee as she soon becomes their favorite sitter.
A strange silhouette, with green rays emanating from her eyes, greets the kids as they scramble under the kitchen table. It’s clear this is no ordinary caregiver. Bull-horned, purple, and reminiscent of a slimmed-down Barbapapa character, this babysitter is definitely an extraterrestrial. But as she cooks, helps with homework, reads, and sings lullabies, she slowly becomes more familiar. The kids are won over when she pulls the ultimate sitter move—letting them stay up late (and play anti-gravity games). Digital illustrations are done in a cool palette using simple blocks of color. The cover parodies the 1950s futuristic aesthetic, from the shape and shading of the flying saucers and car to the modern-style home; distressed display type on the title harkens back to pulp magazines. Unfortunately, while Savage exhibits his signature skill on the cover and title page, the interiors lack the same attention to scale and detail. The mysterious lighting may unsettle more than just the protagonists; this is one to use with children who have had some experience with babysitters already. The family appears to be a multiracial one, with a peach-skinned dad and a light-brown–skinned mom.
A resource for the babysitter bookshelf and to prompt conversations about seeing beyond appearances. (Picture book. 5-7)Pub Date: Feb. 12, 2019
ISBN: 978-0-8234-4147-1
Page Count: 32
Publisher: Neal Porter/Holiday House
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Fast and furious action guaranteed to keep new readers laughing and turning pages.
Never underestimate the chaotic fun that magic and an angry bouncing ball can create.
When Frog goes to the library, he borrows a book on magic. He then heads to a nearby park to read up on the skills necessary to becoming “a great magician.” Suddenly, a deflated yellow ball lands with a “Thud!” at his feet. Although he flexes his new magician muscles, Frog’s spells fall as flat as the ball. But when Frog shouts “Phooey!” and kicks the ball away, it inflates to become a big, angry ball. The ball begins to chase Frog, so he seeks shelter in the library—and Frog and ball turn the library’s usual calm into chaos. The cartoon chase crescendos. The ball bounces into the middle of a game of chess, interrupts a puppet show, and crashes into walls and bookcases. Staying just one bounce ahead, Frog runs, hides, grabs a ride on a book cart, and scatters books and papers as he slides across the library furniture before an alligator patron catches the ball and kicks it out the library door. But that’s not the end of the ball….Caple’s tidy panels and pastel-hued cartoons make a surprisingly effective setting for the slapstick, which should have young readers giggling. Simple sentences—often just subject and verb—with lots of repetition propel the action. Frog’s nonsense-word spells (“Poof Wiffle, Bop Bip!”) are both funny and excellent practice in phonetics. (This book was reviewed digitally.)
Fast and furious action guaranteed to keep new readers laughing and turning pages. (Graphic early reader. 5-7)Pub Date: Aug. 10, 2021
ISBN: 978-0-8234-4341-3
Page Count: 40
Publisher: Holiday House
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
In the wake of Hurricane Sandy, flooding New York might not be the best-timed story idea. Larry’s promise of yet more...
In this blatantly commercial retread, the author of Night at the Museum (1994, revised 2007, film version 2006) gives the marine exhibits a turn to frolic.
Having hurried to work, museum guard Larry frets as he nods off that he’s left the bathtub faucet on back home—which translates in a dream to a flooded Manhattan and a museum building pushed out to sea by the blue whale and other reanimated specimens. The cartoon art looks equally dashed off, with sketchy backdrops fronted by hastily drawn figures like an octopus that never shows more than five tentacles and a seahorse that’s the same size as the adjacent sea turtle. Unsurprisingly, with help from his daughter Melissa, Larry gets the faucet turned off, the water drained away and the exhibits back in their proper places before dawn. Earnest closing disclaimers that it’s not actually possible either to flood Manhattan from a faucet or to pull the American Museum of Natural History anywhere are superfluous, if not downright condescending.
In the wake of Hurricane Sandy, flooding New York might not be the best-timed story idea. Larry’s promise of yet more sequels in the works is equally ill-advised. (Picture book. 5-7)Pub Date: March 19, 2013
ISBN: 978-0-8050-8948-6
Page Count: 32
Publisher: Henry Holt
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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