by Steve Altes illustrated by Andy Fish ‧ RELEASE DATE: March 16, 2016
An affectionate and entertaining glimpse at a renowned college’s offbeat campus life.
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In this graphic novel, an MIT freshman quickly finds himself immersed in the university’s long-standing tradition of elaborate pranks.
Jim Walden has had aspirations of becoming an astronaut since he was a child. His dream becomes a real possibility once he earns a full-tuition scholarship to MIT. He manages this with a viral video of himself solving a Rubik’s Cube, or at least that’s the effect he hoped to achieve. At MIT, senior Luke Bardolf spots Jim’s video trickery and uses it as blackmail. The university is notorious for student “hacks” (pranks), and each year the best one wins the anonymously bestowed Golden Dome trophy. If Jim doesn’t help fraternity Alpha Zeta Omicron garner its fourth consecutive Golden Dome, Luke will inform MIT of the apparent fraud. Jim accepts the terms though he’s reluctant, especially because, prior to his university admission, he had been kicked out of high school for a prank. He befriends fellow freshman Dexter Garfinkel, a socially awkward nerd who was recruited by AZO so he could do all the “problem sets” (homework) for the pledge class. As the days pass, the pledges pull—and occasionally suffer from—various hacks while Jim acts on his romantic interest in Natalie, a receptionist at a fertility clinic. But devising a trophy-winning hack takes a back seat to Luke’s incessant pranks, some of which blatantly violate MIT’s rules (including the one requiring nondestructive results). He and Jim initiate a prank war that could end up with someone seriously injured—or with Jim once again expelled from school. This novel from Altes (The Little Book of Bad Business Advice, 1997, etc.) and illustrator Fish (The Misadventures of Adam West, 2015, etc.) is a surprisingly lighthearted tale of college pranks. Altes explains in his introduction that, while the story is set in the smartphone era, some elements coincide with his time at MIT in the 1980s (for example, a lack of women on campus). It gives the book an old-school appeal, reinforced by blond Jim donning a red jacket and resembling James Dean in Rebel Without a Cause. Fish’s sharp, naturalistic images are gleefully offset by visual jokes, like the AZO trophy case housing a few Eisner Awards (comic-book awards). In the same vein, pranks are generally amusing, especially considering their complexities, and not outright malicious until the hack war begins. That conflict is also indicative of how pranks can go wrong. Altes’ introduction details the potential dangers of hacks as well as fraternity and sorority hazing. As MIT students populate the story, intellectual comedy is in abundance and, thankfully, never highfalutin. For example, when Luke presents the 12-sided Dice of Doom to determine a pledge’s specific punishment, someone wisely notes that, as there’s only one, it should be called the Die of Doom. Subplots give both the narrative and protagonist depth, such as Jim’s attempts to drop off food for the “bridge troll,” a burly, eccentric man who hangs out daily under the Harvard Bridge. Altes’ concluding notes list a wealth of information on Easter eggs and real-life prank inspirations.
An affectionate and entertaining glimpse at a renowned college’s offbeat campus life.Pub Date: March 16, 2016
ISBN: 978-0-9963504-4-0
Page Count: 184
Publisher: Relentless Goat Productions
Review Posted Online: March 20, 2018
Kirkus Reviews Issue: June 1, 2018
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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