Entertaining tales of the macabre, sure to cause shivers and indigestion.
Creepy things happen—and are frequently eaten—in these tasty gay horror stories.
Berman’s characters seethe with illicit desire and, often, ingest inappropriate substances. Among the narratives: A few survivors of an African apocalypse lie in wait for refugees to arrive at their desert lair and provide a source of food; a gay man in 19th-century Baltimore takes in a waif who has been bitten by Edgar Allan Poe—and starts turning into the lugubrious writer; a teenager at a wrestling camp struggles to suppress his appetite and his gay impulses amid a crowd of boys who are feeding strange presences within them; a photographer imprisoned for pedophilia gets out and falls in with an innocent-seeming rustic; a school nurse meets an old lesbian flame who says she can stay young forever—if she dines on children; and a Tulane fraternity pledge wins friends and influences people with a magic flask that holds unlimited quantities of whatever liquid a drinker wants most. Berman’s fables are skillful, well-turned genre pieces, full of moody atmospherics—“black is fashionable, black is everywhere,” he writes of a cabaret in Berlin; “black is the only option other than pale skin and shirts and the atmosphere of gray smoke that hides the ceiling”—and punchy prose in many registers, from Kafkaesque ambiguity to macho adventure. (“She wore a skimpy number that would have given the happiest of married fellahs nervous ideas. Those lips, red and plump, savored rather than breathed the air.”) The horror is initially psychological, building through allusion and rumination to sudden eruptions—“fireworks of blood stipple the window, silhouette his head as he begins what I first think is trying to eat the pane, but soon realize by the way he’s licking and nipping the window, is him trying to kiss his reflection”—and quieter, queasier tableaux. (“The kid is staring down at a dead squirrel on the asphalt, and starts to poke it…then the boy pries apart a piece of the carcass and shoves it into his mouth. When he starts chewing with his mouth open, a bit of tongue slips out to wipe at his cracked lips.”) The result is a satisfyingly weird and icky read with serious literary chops.
Entertaining tales of the macabre, sure to cause shivers and indigestion.Pub Date: Oct. 1, 2021
ISBN: 978-1-59-021225-7
Page Count: -
Publisher: Lethe Press
Review Posted Online: July 1, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.
When a man accused of rape turns up dead, an Early American town seeks justice amid rumors and controversy.
Lawhon’s fifth work of historical fiction is inspired by the true story and diaries of midwife Martha Ballard of Hallowell, Maine, a character she brings to life brilliantly here. As Martha tells her patient in an opening chapter set in 1789, “You need not fear….In all my years attending women in childbirth, I have never lost a mother.” This track record grows in numerous compelling scenes of labor and delivery, particularly one in which Martha has to clean up after the mistakes of a pompous doctor educated at Harvard, one of her nemeses in a town that roils with gossip and disrespect for women’s abilities. Supposedly, the only time a midwife can testify in court is regarding paternity when a woman gives birth out of wedlock—but Martha also takes the witness stand in the rape case against a dead man named Joshua Burgess and his living friend Col. Joseph North, whose role as judge in local court proceedings has made the victim, Rebecca Foster, reluctant to make her complaint public. Further complications are numerous: North has control over the Ballard family's lease on their property; Rebecca is carrying the child of one of her rapists; Martha’s son was seen fighting with Joshua Burgess on the day of his death. Lawhon weaves all this into a richly satisfying drama that moves suspensefully between childbed, courtroom, and the banks of the Kennebec River. The undimmed romance between 40-something Martha and her husband, Ephraim, adds a racy flair to the proceedings. Knowing how rare the quality of their relationship is sharpens the intensity of Martha’s gaze as she watches the romantic lives of her grown children unfold. As she did with Nancy Wake in Code Name Hélène (2020), Lawhon creates a stirring portrait of a real-life heroine and, as in all her books, includes an endnote with detailed background.
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.Pub Date: Dec. 5, 2023
ISBN: 9780385546874
Page Count: 448
Publisher: Doubleday
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 15, 2023
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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