by Steve Guttenberg ‧ RELEASE DATE: May 8, 2012
The veteran character actor looks back on his first 10 years in Hollywood as a time of magical dreams and sobering realities.
Guttenberg has made more than 50 films since first striking out for Hollywood as a brash teen in the late 1970s. Here he ably captures that 18-year-old’s sense of awe and excitement as he began his career. First, he managed to sneak onto the Paramount lot where he promptly set up a private office and began engineering his own auditions. From there, he was soon enjoying a shvitz with Michael Landon and trading lines on set with Richard Widmark. Guttenberg has a fine ear for dialogue, and depictions of his regular calls back home to his salt-of-the-earth mom and dad are amusing and heartwarming. The fun and excitement slows a bit as his career begins to sputter. He eventually realized that no matter how much success he achieved, he would always be a hired hand, never quite sure where the next job would be. Meanwhile, multiple liaisons with assorted starlets and stalkers throughout the years get scant attention. Guttenberg isn’t interested in naming names. Explaining just how tough it’s been keeping his mug on the silver screen for all these years seems to be enough for him. The career gymnastics he has displayed adroitly leapfrogging from films like Cocoon to Three Men and a Baby are wholly entertaining on their own. Aspiring actors will surely gain keen insight into the challenges that may await them (if they’re lucky), while movie fans will be pleasantly assured that their faith in the dream factory’s ability to inspire is still warranted. An insider’s charming look at what it’s really like to be a Hollywood star.
Pub Date: May 8, 2012
ISBN: 978-0-312-38345-9
Page Count: 336
Publisher: St. Martin's
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
Share your opinion of this book
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Share your opinion of this book
More by Elie Wiesel
BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
Awards & Accolades
Likes
126
Our Verdict
GET IT
Google Rating
Kirkus Reviews'
Best Books Of 2016
New York Times Bestseller
Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Share your opinion of this book
More About This Book
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.