by Steve Korte ; illustrated by Art Baltazar ‧ RELEASE DATE: Aug. 1, 2020
A super early reader title.
A super game of hide-and-seek turns into a rescue mission.
Superman and Krypto the Super-Dog are flying high over the city of Metropolis enjoying a game of hide-and-seek. When Superman flies into a cave high in the mountains, he doesn’t suspect a chunk of kryptonite lurks within the cave’s walls. Weakened by the substance of his homeworld, Superman must count on Krypto to save the day. This early reader is charmingly illustrated with bold, approachable lines and a simple color palette that will spark young readers to break out their own crayons and draw some new adventures for the Man of Steel. The story’s simplicity is neatly geared to those familiar with the broad strokes of Superman but not up to the nitty-gritty details of his decadeslong mythology quite yet. The text is full of standard sight words, making this an excellent read for those just starting both to read and to get into the world of superheroes. There’s one citizen in Metropolis that’s a person of color, but Superman’s world remains a mostly white one.
A super early reader title. (Early reader. 4-7)Pub Date: Aug. 1, 2020
ISBN: 978-1-5158-7176-7
Page Count: 32
Publisher: Picture Window Books
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
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by Mick Inkpen ; illustrated by Chloë Inkpen ‧ RELEASE DATE: Dec. 10, 2019
Fred has certainly matured since his first outing. Readers may have mixed feelings about a third, though.
The untrained, exuberant dog and his patient child owner from I Will Love You Anyway (2016) are back, this time exploring the meaning of a name.
The puglike dog with the huge eyes, sweat bands, and tendency to run away has earned a ribbon from his dog obedience class. The pup now responds appropriately to “Fetch,” “Sit,” and “Stay” and knows “Ball,” “Walk,” “Park,” and “Bed.” But the meaning of the word “Fred” eludes him, the adorable tilt of his head conveying his confusion. Eager to please, the dog just wants to know how to “Fred” so he’ll earn a “Good Boy!” Maybe the dog upstairs (his reflection in a mirror) knows? What about the dog he spies in the water while chasing ducks in the park? Trying to play with that pup leads him to trouble. Luckily, his child comes to his rescue, snuggling the dog close and whispering his name. “A light goes on inside my head!” Fred’s his name, and he can now Fred with the best of them. A cozy ending celebrates the love between dog and child. While Mick Inkpen’s rhymes sometime belabor the point and nearly overstay their welcome, Chloë Inkpen’s illustrations against white backgrounds give readers a view from the dog’s perspective, and his expressions and body language convey much. Fred’s child, the only human in the book, presents white.
Fred has certainly matured since his first outing. Readers may have mixed feelings about a third, though. (Picture book. 4-7)Pub Date: Dec. 10, 2019
ISBN: 978-1-5344-1475-4
Page Count: 32
Publisher: Aladdin
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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by Mike Curato ; illustrated by Mike Curato ‧ RELEASE DATE: Sept. 2, 2014
This feels far more like a parable for adults than a picture book for children, who may also miss the elegance of the New...
The big city is clearly New York, but it’s a grayed and sepia city sometime in the late 1940s, judging from the cars and clothing.
Elliot is a small, polka-dot elephant who loves his city even though it is hard for him to catch a cab or even open a door. (And he does the dishes by sitting in the sink with them.) He’s too little to be seen when he tries to buy his favorite treat, a cupcake, and that makes him sad. But he sees a tiny, very hungry mouse trying desperately to scale a trash bin for scraps. He manages to help get Mouse something to eat, and lo! He feels “like the tallest elephant in the world!” With Mouse’s help, the next day he gets that cupcake. The last image peers through Elliot’s window to find him and Mouse sharing it. The Flatiron Building, brownstone steps and the Empire State Building are clearly recognizable, giving the story Big Apple authenticity. The art has its own meticulous beauty, but the story is more saccharine than sweet—rather like too much frosting on a cupcake. The endpapers are a lush repetitive pattern of variegated cupcakes, with cameos by Elliot and Mouse.
This feels far more like a parable for adults than a picture book for children, who may also miss the elegance of the New York City images in their dark, soft palette. (Picture book. 4-7)Pub Date: Sept. 2, 2014
ISBN: 978-0-8050-9825-9
Page Count: 42
Publisher: Henry Holt
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
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