Next book

PUSS IN BOOTS

This collage adaptation of the old tale is alive with texture. Hand-stamped patterned paper, weathered fabric, and various solid whites and off-whites are combined with scribbled pencil and swirling paint to create illustrations that are compelling and pleasantly busy. Dramatic changes of scale (showing both geographical distance and physical power) and the characters’ ever-changing positions and postures make every picture unique. Puss herself is cut from worn, striped fabric and sports an ornamented coat and huge black boots. Initially an inheritance that her master finds disappointing, Puss quickly becomes the main character. With prowess and ingenuity both feline and human, she cleverly brings her master from a state of poverty into a state of wealth, love, and joy. This version is gentler than many others: peasants are promised rewards (rather than threatened) when Puss needs their help in her scheme, and tiny smiles appear on almost every page. Even the ogre is fairly mild-mannered compared to many fairy-tale monsters. However, somewhere underneath the mildness is depth, made up of Puss’s intelligence and power and the complexity of the illustrations. The unusual variety of texture and pattern invites slow or repeated perusal, but the quickly moving plot will also support group readings. The simple text, sometimes subtly funny, is a perfect match for both story and pictures. This playful and rich adaptation, complete with a heroine who is male in most versions, is fresh and full of energy. (Picture book/fairy tale. 3-5)

Pub Date: March 1, 2001

ISBN: 0-8019-4368-9

Page Count: 24

Publisher: Abrams

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2002

Next book

NOAH'S SQUARE DANCE

Walton (How Many, How Many, How Many, 1993, not reviewed, etc.) puts a new twist on a familiar biblical tale that evokes all the spirit of a barnyard hoedown. While the rain pounds the ark, Noah calls out the rhyming verses with the beat of a traditional square dance. ``Do-si-do your corners all! Walk or waddle, hop or crawl.'' Giving credence to the whole event are the folksy, cheerful illustrations of animals and Noah's family in formation, which complement the inventive rhymes: ``Around the ark march two by two. Stop to wheel that caribou.'' The final, joyful verse celebrates the end of the storm, but readers will believe that everyone had a good time waiting it out. (Picture book. 3-5)

Pub Date: Sept. 1, 1995

ISBN: 0-688-11186-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

Next book

ALBERT'S NAP

Short on savvy, long on oafishness, this ode to frustration is as balky as the theme. Albert, a hippopotamus, settles down to a nap. A mosquito makes an appearance, bedeviling the planned siesta. Albert loses his composure and with increasing ferocity, pursues the little bloodsucker, first with his hand and eventually by hurling the contents of the entire house. Naptime resumes when Albert opens a window and the pest flies out. The vibrant, raggedy- edged watercolors float amiably on a sea of white, but unlike Grejniec's previous books (Good Morning, Good Night, 1993, etc.) the story itself feels artificial from start to finish. Neither character inspires any sympathy, and it's not always clear just who is uttering the lines of minimalist text; if that ambiguity is intended, it's likely to confuse the book's audience. (Picture book. 3-5)

Pub Date: May 15, 1995

ISBN: 1-55858-279-7

Page Count: 32

Publisher: NorthSouth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

Close Quickview