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THE SUNDAY MACARONI CLUB

Hilariously cynical take on small-time ethnic politicos and other craven creeps in the City of Brotherly Love, from an award-winning former Philadelphia Inquirer columnist. Abandoning the mawkish sentimentality of Third and Indiana (1994), his mean-streets social-realist debut, Lopez now goes for a fiercely funny epic that pits the feckless members of a creaking, contentedly sleazy old-time South Philly political machine against idealistic, terminally beautiful Assistant D.A. Lisa Savitch and her street-wise, ``part-time'' FBI agent sidekick, Mike Muldoon. Lopez uses a deliriously complicated plot to deliver a stinging satire. It seems that former US Senator Augie Sangiamo, who listens to Sinatra while chowing down with his cronies on pasta and ``gravy'' every Sunday afternoon, wants to maintain his weakening hold on his turbulent, working-class neighborhood by using illegal campaign funds drawn from Atlantic City casinos to buy elections for the grandly corrupt State Representative William ``Ham'' Flaherty and Common Pleas Judge Isadore ``Izzy'' Weiner. The ambitious D.A., who once sent Sangiamo to jail, wants Savitch, an athletic, cigarette-puffing import from Boston who can't quite manage the local patois, to ``bring me the heads of these dinosaurs so we can stuff them, mount them and put them on display at the Academy of Natural Science.'' Savitch is more interested in investigating a release of toxic fumes from the city's oil refinery, and, meanwhile, Muldoon can't keep his eyes off Savitch's legs. Throughut, comically vile insiders square off against stiff, feckless outsiders and only the morally upright seem to suffer. As Muldoon says, ``we end up with bribery, a white-collar scandal, a public health epidemic, two murders, thirty-seven felony counts. Where's our bonus?'' While it lacks the depth of Tom Wolfe's Bonfire, Lopez's scathingly sarcastic top-to-bottom exploration of urban corruption overwhelms with dead-on characterizations and lingering belly-laughs. (First printing of 50,000; $50,000 ad/promo; author tour)

Pub Date: June 1, 1997

ISBN: 0-15-100264-9

Page Count: 384

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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