by Steve Paul ‧ RELEASE DATE: Oct. 1, 2017
A clear, concise, sympathetic account of a gifted young man discovering who he is—and what he can do.
Yes, there is more to learn about the man who remains one of America’s most iconic writers.
Paul, who for decades wrote for the Kansas City Star and, with several others, has co-edited a previous work on Papa (War + Ink: New Perspectives on Ernest Hemingway’s Early Life and Writings, 2014, etc.), shares some history with Ernest Hemingway (1899-1961), who began his professional writing career at age 18 at the Star, where he worked for more than six months before enlisting in the ambulance service for World War I. Paul focuses on this single year, and we learn about how Hemingway acquired the Kansas City gig, where and how he lived in the city, the sorts of stories he covered, his reputation among his colleagues, his decision to apply for the ambulance service (he failed the military physical), his journey to Europe, and his severe wounding in Italy—an experience that would lead, as the author points out, to A Farewell to Arms. Paul notes that during Hemingway’s tenure at the paper, there were no bylines, but he occasionally sent home clippings, and Paul mined the young man’s letters as well to pin other pieces to the novice writer. He also points out the connections between the Kansas City stories he covered and his fiction (as Paul does as well with the ambulance service). The author, like previous biographers, whom he generously mentions, struggles to separate fact from fiction in the life of Hemingway, who could be a fabulist. Paul also traveled to key sites, including the spot where Hemingway was wounded, to enrich his account. He says several times that Hemingway learned to write in Kansas City—a genial exaggeration, of course. Near the end, he reveals a key discovery about Papa and a grand jury.
A clear, concise, sympathetic account of a gifted young man discovering who he is—and what he can do.Pub Date: Oct. 1, 2017
ISBN: 978-1-61373-971-6
Page Count: 256
Publisher: Chicago Review Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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edited by Steve Paul
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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